A Quote by Roberto Baggio

I am a public figure, but there are limits. I have the right to some tranquillity. — © Roberto Baggio
I am a public figure, but there are limits. I have the right to some tranquillity.
Although I am a public figure, I'm still a little shy. I don't think my own personality is important. I prefer to keep some small dosage of privacy.
The danger of disturbing the public tranquillity by interesting too strongly the public passions, is a still more serious objection against a frequent reference of constitutional questions to the decision of the whole society.
I am a public figure, but I am not public property.
In fundamental theory socialism and democracy are almost if not quite one and the same. They both rest at bottom upon the absolute right of the community to determine its own destiny and that of its members. Men as communities are supreme over men as individuals. Limits of wisdom and convenience to the public control there may be: limits of principle there are, upon strict analysis, none.
As a public figure, you have to maintain a certain demeanor. We also have responsibility to the public, but of course, I'm not perfect. I have a lot of flaws; my husband can tell you that, my friends, even. They know who I am.
I never wanted to be a public figure. I feel that I always have to dampen down people's expectations. They expect me to be an oracle, wave a magic wand, sprinkle some slow, sparkly dust on them, to make everything all right.
Don't talk to me about appealing to the public. I am done with the public, for the present anyway. The public reads the headlines and that is all. The story itself is fair and shows the facts. That would be all right if the public read the facts. But it does not. It reads the headlines and listens to the demagogues and that's the stuff public opinion is made of.
If you're a public figure, people have the right to speculate and gossip.
In terms of TV shows, if you're a public figure, we've all been asked to do some sort of ridiculous show at some stage.
The more you stay in this kind of job, the more you realize that a public figure, a major public figure, is a lonely man.
It's my responsibility as an artist and public figure to put the right frequency out there.
I am not a famous person at home - I'm just a guy here. I'm a father, I'm a companion, I'm a human being. I am not a public figure in my house; I am not a celebrity. I am not a famous person to myself - I am just a guy.
The bestseller charts, a sure indicator of public taste, tell us with relentless frequency that Marian Keyes or Jeffrey Archer is a better author, by some dizzying six-figure sum, both in numbers of copies and money, than, say, J. M. Coetzee or Patrick White. Are they right?
I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses limits and transcends limits and crosses borders and has a certain boldness.
Freedom isn't the right or ability to do whatever you please. Freedom comes from understanding the limits of our own power and the inherent limits set in place by nature. By accepting life's limits and inevitabilities and working with them rather than fighting them, you become truly free.
I won't complain about touring, because I really do believe that a public-figure musician complaining about being a public-figure musician is just absurd. Like, 'Boo hoo hoo! I have to stand on stage and people pay attention to me!'
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