A Quote by Roberto Benigni

Stanley Kubrick is one of the geniuses of this century. — © Roberto Benigni
Stanley Kubrick is one of the geniuses of this century.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.
Stanley Kubrick was very selective when he went into a close-up. Every director has his taste in a performance, but Stanley would explore a scene to find what was most interesting for him.
I like David Lynch; I like Stanley Kubrick. I'm a big fan of Kubrick.
Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique... completely separate entities.
It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.
I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom.
Working on '2001' was my film school. Stanley Kubrick was my mentor.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
It would be incredible to work with Stanley Kubrick and go back in time.
I adore Stanley Kubrick, all of his films were different, not just in subject but tonally.
I used to hold Stanley Kubrick film festivals at my house in high school. These are not cool things.
My father took me and my about-to-be-traumatized friends to Stanley Kubrick's '2001' for my 10th birthday party.
This site uses cookies to ensure you get the best experience. More info...
Got it!