A Quote by Roberto Bolano

Jesus is the masterpiece. The thieves are minor works. Why are they there? Not to frame the crucifixion, as some innocent souls believe, but to hide it. — © Roberto Bolano
Jesus is the masterpiece. The thieves are minor works. Why are they there? Not to frame the crucifixion, as some innocent souls believe, but to hide it.
The resurrection is the keystone of the arch on which our faith is supported. If Christ has not risen, we must impeach all those witnesses for lying. If Christ has not risen, we have no proof that the crucifixion of Jesus differed from that of the two thieves who suffered with him. If Christ has not risen, it is impossible to believe his atoning death was accepted.
I believe in the crucifixion of Jesus Christ.
I like thieves. Some of my best friends are thieves. Why, just last week we had the president of the bank over for dinner.
I believe that Christians believe in salvation by grace through faith in Jesus Christ, not by works. And we believe that if you're saved, Jesus becomes your savior. He makes a promise to you. You can trust his promises. You can bank on that word.
If pimps and thieves everywhere were always punished, honest people would all believe themselves always to be innocent.
It's easier to keep your stuff then it is to expose it, because some people don't get it. At the cross, at the feet of Jesus, there were some people who said, "Good! I'm glad that you're dead." Then there were some that were crying and saying, "Why are you doing this to this innocent man?" It is not easy to do.
You think Jesus ever tried to talk God out of some of that stuff? 'Instead of that whole crucifixion, how about we do a big fundraiser!'
You know I told the Lord, "Why can't I just move in healing and forget talking about all that other stuff." He said: " Because, Todd, you've got to get the people to believe in the angel". I said, "Why do I want people to believe in the angel. Isn't it about the people believing in Jesus?" He said, "The people already believe in Jesus but the church doesn't believe in the supernatural."
Why go from the individual to the entire race, from the singular to the group, from the guilty to the innocent? We know why. That is how racism works. That is racism in action.
You can feel righteous fury in every frame of The Magdalene Sisters. The movie is both a masterpiece and a holy hell: Watching it, you feel you're being punished for a crime you didn't commit. Which puts you, come to think of it, in the same frame of mind as those poor Magdalene girls.
Some believe in Jesus, they don't act like they do. Some believe in Mohammed, I don't believe that's true. Cause they do believe in money, and gold is what it's for, all the gold can't buy no peace of mind in a world that don't believe in nothing anymore.
Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.' Each discipline I approach as a major undertaking that I put my whole self into.
. . . an absurd problem came to the surface: 'How COULD God permit that (crucifixion of Jesus Christ)!' . . . the deranged reason of the little community found quite a frightfully absurd answer: God gave his Son for forgiveness, as a SACRIFICE . . . The SACRIFICE FOR GUILT, and just in its most repugnant and barbarous form - the sacrifice of the innocent for the sins of the guilty! What horrifying heathenism!
I don't know why, but audiences are often sympathetic to thieves. Sometimes they are more sympathetic to thieves then they are to earnest people. What does that say about society?
A hilarious academic novel that'll send you laughing (albeit ruefully) back into the trenches of the classroom. . . . [A] mordant minor masterpiece. . . . Like the best works of farce, academic or otherwise, Dear Committee Members deftly mixes comedy with social criticism and righteous outrage. By the end, you may well find yourself laughing so hard it hurts.
The sight of one's own heart is degrading; people are not meant to look inward - that's why they've been given bodies, to hide their souls.
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