A Quote by Roberto Cavalli
The press attack people to sell more papers without thinking, but when you get famous you have to put up with this kind of stuff.
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In America, there's a very long tradition of a comic strip that comes in newspapers, which is not true all over the world. To sell papers, they put color comics in. It's worked, up until now. Now these papers can't afford it. They always had minuscule ad budgets, and now the things which people probably read these papers for are gone.
I don't appreciate, really, talking to journalists when there's a sense of wanting to kick up dust to sell more papers or get more hits on their Internet site.
I never wanted to be famous. I want to be more famous than I am so I can get the roles. I hate losing the roles. I was famous more for being around people who were famous, and I hate that kind of fame.
Without defeats, how do you really know who the hell you are? If you never had to stand up to something - to get up, to be knocked down, and to get up again - life can walk over you wearing football cleats. But each time you do get up, you're bigger, taller, finer, more beautiful, more kind, more understanding, more loving. Each time you get up, you're more inclusive. More people can stand under your umbrella.
What I'm thinking about more and more these days is simply the importance of transparency, and Jefferson's saying that he'd rather have a free press without a government than a government without a free press.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
I'm yet to attack French cooking, you know, where it's intense, following recipes and stuff. I'm more of a 'make it up' kind of thing.
I wanted an agent who would actually sell stuff. After two British agents failed comprehensively, I was reading Locus (the SF field's trade journal) and noticed a press release about an experienced editor leaving her job to join an agent in setting up a new agency. And I went "aha!" - because what you need is an agent who knows the industry but who doesn't have a huge list of famous clients whose needs will inevitably be put ahead of you. So I emailed her, and ... well, 11 years later I am the client listed at the top of her masthead!
You can't play not to lose. You kind of have to put your ego aside and accept the fact that careers are long, and there's gonna be stuff people like and stuff that people don't like, and you try to get better every time, and always put something out that you're proud of. And let the chips fall where they may.
Newspaper people have a habit of putting you in the front pages to sell their papers, and then after they've sold their papers and got big circulations, they say, 'Look at what we've done for you
We all press buttons in relationships, in our dealings with people, without thinking what it really means. We all knock along without questioning what kind of situation we're in. We may often be in a very good one, but we don't even appreciate the good situations. We're lazy. Or we're scared. Or we just don't notice.
Writers have always liked my stuff, pretty much. That's what I wanted - I think my goal wasn't to get rich and famous, necessarily, though I cared about that. I always thought, "Oh, this could be a hit," or "that will sell records." But the first thing I wanted was that people who knew a lot about music, or had taste-making qualities, they would like my stuff. Writers, people like that.
Whether it's Brad Pitt up there, if there's a good moment up there, and you get pulled into the emotion, you're not thinking, 'Oh, that's Brad Pitt. He's an actor, and he's famous.' That's kind of the nature of storytelling, right? You sit around the fire and tell a story, and you can get sucked into that story.
Back in the East you can't do much without the right papers, but with the right papers you can do anything The believe in papers. Papers are power.
I'm the son of a newsman, I grew up around news, so I can understand the issue, which is that papers are losing subscribers and they're getting less and less outlets... it's a tricky thing. You're going to have to sell papers. The problem is, there's so little reporting anymore.
I put a list together. It was like: Get health insurance, get a car, get a bigger apartment, travel more, get a record deal, get a publishing deal, sell 10,000 units, be a part of a No. 1 album, make a million dollars. I got to check off 90 percent of the stuff last year. I hit some serious landmarks in 2015.
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