A Quote by Roberto Cavalli

With time, fashion has become part of my DNA. — © Roberto Cavalli
With time, fashion has become part of my DNA.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
L.A. fashion is like lip injections. That confuses me. That's become not just a thing. It's become fashion, part of your outfit. But hey, to each his own.
I love Italian fashion - the sense of style that Italians have as part of their DNA. Nobody is like them.
I can say, let's go to the DNA of the brand and find something that I can introduce into my work. It's part of the patrimony of fashion.
It’s difficult to create fashion, you can’t just learn it, you have to have fashion in your DNA.
The genius of Rodgers and Hammerstein is that their songs become a part of the DNA of the audience.
Sequencing DNA on the ISS will enable NASA to see what happens to genetic material in space in real time, rather than looking at a snapshot of DNA before launch and another snapshot of DNA after launch and filling in the blanks.
Precision medicine is diving into the DNA with a knowledge that everybody's tumor has a unique genetic profile and you want to be able to identify that specific piece of DNA that has become mutated and that is driving cancer growth.
Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
It's a part of my DNA that I've never really taken time to revel in success.
We are machines built by DNA whose purpose is to make more copies of the same DNA. ... This is exactly what we are for. We are machines for propagating DNA, and the propagation of DNA is a self-sustaining process. It is every living object's sole reason for living.
When you get into fashion, when you're not yet working in fashion, you have this idea about what the fashion world is: that it's very glamorous, it's the red carpet, it's very editorial. But really, what you don't understand until you get into it, is what goes on the rest of the time, which is just hard work. Besides passion and dedication, it's the grit. How long are you willing to be in it to become successful?
It's in the Hawks' DNA to win one, so I want to be a part of the Hawks' DNA and the Hawks' lineage of guys who have won a Slam Dunk Championship.
Religion may become a fashion as well as anything else; and, when it does become so, it has as little to do, in those who thus hold it, with the heart and the character as any other fashion.
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