A Quote by Roberto Di Matteo
Every session we do we try and talk about the way we want to play, I try to organize the sessions in a way that the players can understand the way I want them to play.
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Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
Even though this is a business you do have people here that you're with every day, like your family. You want to go play for them and you want to win with them. You have to find a way to do that but understand that there is a business side to it. You have to find a way to understand.
The way we play is the way every team want to play, but not a lot of teams can play that amazing way.
To say we have to play a certain way, or try to, every game is great in theory, but depending what players you have got you have to play to their strengths and cover up their weaknesses.
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
As a father, you find yourself telling this to your kids a lot. My son, when he didn't want to play baseball, I was like, "Buddy, try it. Try playing baseball and if you don't like it, that's fine. But I want you to try it. I want you to try as hard as you can at it. And then we'll talk about it." You kind of have to give yourself the same pep talk. As a 43-year-old, you're like, "You know what? Just, try it. Try as hard as you can, give it everything you got and then accept the results."
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
If you play well, you are praised; if you play badly, you are criticised. Everyone should try to manage it the way they want to.
I don't just get bogged down in, 'I want to win.' There's something even greater than that. And that's the way that you play the game. I want to play beautiful football. That's our purpose: to go out and play the game at the highest level, play it the right way.
I still had the same frustration with trying to play [Edward Cullen], the entire way through, right up until the last shot. It's a strange part because, on the one hand, a lot of the audience projects their idea of Edward[Cullen] onto him. It doesn't matter what he is. They want him to be a certain way. And then, my instincts were to try and play it and to try to find the fallibility in him and the weaknesses.
You want to win in the NBA you want to build a culture and teams will always do that and try to win. It's cutthroat. All 30 teams want to be that way whether they are rebuilding, have young players, have a style of play. It doesn't matter, everybody wants to win.
Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan.
We try and play football in a positive way. Any team has to be defensively organised, but you have to look at the attributes of the players and play to their strengths.
In a way, I feel it might be ill-mannered to try and top myself. The music I play is a ritual. Something that matters to people in a special way. I wouldn't want to interfere with that.
I feel attention sometimes in games, from fans and other players. But I just try to play the way I always have, remain focused, and don't let distractions get in my way.
The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.
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