A Quote by Robertson Davies

To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.
A good soldier has his heart and soul in it. When he receives an order, he gets a hard on, and when he drives his lance through his enemy's guts, he comes.
A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience.
If modesty and candor are necessary to an author in his judgment of his own works, no less are they in his reader.
It appears to me that almost any man may like the spider spin from his own inwards his own airy citadel.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
No. 1 music event in 1998? 'Weird Al gets LASIK to cure his myopia. At the same time, he grows out his hair and shaves his mustache, drastically changing his look.'
How frightful a thing it is for the preacher when he becomes accustomed to his work, when his sense of wonder departs, when he gets used to the unusual, when he loses his solemn fear in the presence of the High and Holy One; when, to put it bluntly, he gets a little bored with God and heavenly things.
The Plagiarism of orators is the art, or an ingenious and easy mode, which some adroitly employ to change, or disguise, all sorts of speeches of their own composition, or that of other authors, for their pleasure, or their utility; in such a manner that it becomes impossible even for the author himself to recognise his own work, his own genius, and his own style, so skilfully shall the whole be disguised.
Like a young eaglet that gets pushed out of the nest at the appropriate time, a young man must learn to fly on his own. If the nest is too cushy, if all of his creature comforts are there for his enjoyment, then he may set up his high-definition television and perch for a while.
Writing is a lonely job. Even if a writer socializes regularly, when he gets down to the real business of his life, it is he and his type writer or word processor. No one else is or can be involved in the matter.
Touch but a cobweb in Westminster Hall, and the old spider of the law is out upon you with all his vermin at his heels.
He draweth out the thread of his verbosity finer than the staple of his argument.
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