A Quote by Robertson Davies
Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly.
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I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!
All too frequently the amateur will purchase a fine modern camera and proceed to use it for making the most elementary simple snapshots. This surely is like playing 'Chopsticks' on a concert grand piano.
Vladimir Nabokov was a writer who cared nothing for music and whose favorite sport was the pursuit, capture, and murder of butterflies. This explains many things; for example, the fact that Nabokov's novels, for all their elegance and wit, resemble nothing so much as butterflies pinned to a board: pretty but dead; symmetrical but stiff.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
I don't like making things too complicated when writing songs. I want to write in a very easy language that many people will understand.
If you realize that all things change, there is nothing you will try to hold on to. If you aren't afraid of dying, there is nothing you can't achieve. Trying to control the future is like trying to take the master carpenter's place. When you handle the master carpenter's tools, chances are that you'll cut your hand.
Nothing, absolutely nothing, enters my life that isn't caused or allowed by God and filtered first through His loving hands for the purpose of making me more like Jesus.
Then he read the words of the scroll slowly, first in Japanese and then carefully translated into English: 'There is really nothing you must be. And there is nothing you must do. There is really nothing you must have. And there is nothing you must know. There is really nothing you must become. However. It helps to understand that fire burns, and when it rains, the earth gets wet. . . .' 'Whatever, there are consequences. Nobody is exempt,' said the master.
The high-flying rhetoric of 'Making America Great Again' frankly appeals to me. It appeals to many people. But you've got to back that up with substance, and you've got to quit offending people who may not agree with you.
There are only two kinds of stories in the world: those about which I do not care to write as many as 600 words, and those about which I would like to write many more than 600 words. But there is nothing about which I would like to write exactly 600 words.
I am very invested in the physical activity and the decision-making that is involved with making paintings - nothing else is quite like it.
I like to have strong opinions with nothing to back them up with besides my primal sincerity. I like sincerity. I lack sincerity.
The single most important technique for making progress is to write ten words. Doesn't matter if you're badly stuck, or your day is completely jam-packed, or you're away from your computer - carry a small paper notebook and write a sentence of description while you're waiting on line at a coffee shop. I think of this as baiting a hook. Even if you have a few days in a row where nothing comes except those ten words, I find that as long as you have to think about the novel enough to write ten words, the chances are that more will come.
If I'm in something that I think is kinda good, it stays with me like a fever dream for a long time afterwards. I don't recall the finished product so much as the feeling of making it.
The most common way customer financing is done is you sell the customer on the product before you've built it or before you've finished it. The customer puts up the money to build the product or finish the product and becomes your first customer. Usually the customer simply wants the product and nothing more.
There's so many ways of making product design easier, more efficient, quicker. People are now taking DNA from cows and growing leather. The implications of that, in what it has from a grain standpoint, are enormous.
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