A Quote by Robertson Davies

Imagination is a good horse to carry you over the ground - not a flying carpet to set you free from probability. — © Robertson Davies
Imagination is a good horse to carry you over the ground - not a flying carpet to set you free from probability.
Vanity is a confounded donkey, very apt to put his head between his legs, and chuck us over; but pride is a fine horse, that will carry us over the ground, and enable us to distance our fellow-travelers.
The helicopter is probably the most versatile instrument ever invented by man. It approaches closer than any other to fulfillment of mankind's ancient dreams of the flying horse and the magic carpet.
When I was a kid, I used to escape from my family with my imagination, and I kept this spirit into my adult life. This doesn't always happen. All children have imagination, but for some it doesn't carry over.
Good places for aphorisms: in fortune cookies, on bumper stickers, and on banners flying over the Palace of Free Advice.
According to theism, if a universe is to have any probability of existing, this probability is dependent upon God's beliefs, desires and creative acts. But the Hartle-Hawking probability is not dependent on any supernatural considerations; Hartle and Hawking do not sum over anything supernatural in their path integral derivation of the probability amplitude.
When I was on the ice, I felt like a free man. With flying, it's the same thing. When I'm flying by myself on an afternoon, I feel free.
So if you care to find me/ Look to the western sky/ As someone told me lately/ Everyone deserves the chance to fly!/ And if I'm flying solo/ At least I'm flying free/ Tell those who'd ground me/ Take a message back from me/ Tell them how I am defying gravity!/ I'm flying high defying gravity/ And soon I'll match them in renown./ And nobody in all of Oz/ No Wizard that there is or was/ Is ever gonna bring me down!/
One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories.
I'll carry on, carry over, carry forward, Cary Grant, cash and carry, carry me back to Old Virginia, I'll even 'hari-kari' if you show me how, but I will not carry a gun!
If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven.
After the horse dance was over, it seemed that I was above the ground and did not touch it when I walked.
The ass will carry his load, but not a double load; ride not a free horse to death.
You've got to believe in yourself, or no one will believe in you. Imagination is like a bird on the wing, flying free for you to use.
So much success from set pieces comes from practice. Maybe fans see a well-worked free-kick and think it looks good, but to get that, there has been hours of work that nobody has seen on the training ground.
ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination . . .
A loose horse is any horse sensible enough to get rid of its rider at an early stage and carry on unencumbered.
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