A Quote by Robin DiAngelo

People of color understand what it means to be white more than I ever will. — © Robin DiAngelo
People of color understand what it means to be white more than I ever will.
Brown people and black people and red people swarmed through our great halls, until those who were white looked simply faded-out human beings beside them. Indeed, I came to see that white is not a color in skin any more than in textiles, and if it had not quality, it had no value even for humanity. I saw that color in skin had a certain advantage in strength and warmth as a means of beauty.
As long as white people put people of color, African Americans and Latinos, in the same dispensable bag, and look at our children of color as insignificant and treat women of color as not as deserving of protection as white women, we will never achieve true equality.
No color will ever be brighter for me than black and white.
The most glaring aspect of white privilege is that when someone is described neutrally - without indicating color or ethnicity - more often than not, people will assume that the person is white. That assumption indicates an uncomfortable truth: in our society, whiteness determines humanity.
Any movement that has been successful in this country for Black liberation has included old and young, men and women, and people not of color that understand their superiority complex, that understand White supremacy, and that internalize that, sort that out, and heal from that in order that they might help, because there are some people of color that are not on our side.
I am not going to say that only people of color can write people of color, because that means only white people can write white people, and that's not OK.
Black is not a notion. Africa is not a color. Africa is a culture. So you can be pitch black and I am my color but I'm more African than you can ever be because culturally there are certain things that you just don't understand.
Black and white means photography to me. It's much easier to take a good color photograph, but you can get more drama into a black and white one.
My mantra is, 'Don't be afraid of color.' What did it do to you? Do a color testing in alternate kinds of light you desire in the room because the pigment will change. And I refuse to believe that pale pale or white colors in a small room will buy you more square footage. Go with color all the way.
White people don't have that problem, they get to go through life never having to fit into a box, and it's really more so true for white men because even just being a woman, you sort of have to walk around other people's assumptions of you and it's so exhausting and there's a sense, especially among young people of wanting to just live your life, not having to wear the weight of that pressure - pressure that people of color feel, that gay people of color feel, that women of color feel.
White is the color of decomposition. White is also no color. White is nothing. In photography, the paper is white, next comes the light, which is also white, then the shadow is created, the apparition.
A tanned skin is something more than respectable, and perhaps olive is a fitter color than white for a man,--a denizen of the woods. "The pale white man!" I do not wonder that the African pitied him.
…“white supremacy” is a much more useful term for understanding the complicity of people of color in upholding and maintaining racial hierarchies that do not involve force (i.e slavery, apartheid) than the term “internalized racism”- a term most often used to suggest that black people have absorbed negative feelings and attitudes about blackness. The term “white supremacy” enables us to recognize not only that black people are socialized to embody the values and attitudes of white supremacy, but we can exercise “white supremacist control” over other black people.
This is really skin privilege, the ranking of color in terms of its closeness to white people or white-skinned people and its devaluation according to how dark one is and the impact that has on people who are dedicated to the privileges of certain levels of skin color.
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
I think more to the point, these pivotal times means something other than a politician. I understand the economy. I understand the world. I have a lot of foreign policy experience. I understand bureaucracies. I understand technology, and I understand leadership.
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