A Quote by Robin Furth
I suppose that, for me at least, the biggest difference betweenThe Gunslinger Born and the next two story arcs (The Long Road Home and Treachery), is that while Gunslinger Bornwas a translation of an existing novel, the next two arcs are really the stories that I've been weaving since I first started working with Steve King on the Dark Tower back in 2000/2001.
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As you know, transforming such a big book [The Gunslinger Born] into graphic novel format is really a process of translation.
Yet suppose further. Suppose that all worlds, all universes, met at a single nexus, a single pylon, a Tower. And within it, a stairway, perhaps rising to the Godhead itself. Would you dare climb to the top, gunslinger? Could it be that somewhere above all of endless reality, there exists a room?...' You dare not.' And in the gunslinger's mind, those words echoed: You dare not.
My job on The Gunslinger Born was to take Stephen King's novel and transform it into a detailed, seven issue, scene-by-scene story.
I know there are certain times you have to be smart with the football but I'm a gunslinger, I've always been a gunslinger and that's just what I'm gonna do.
In order to capture Mid-World for new readers, I had to streamline the original tale [ The Gunslinger Born], but I also had to incorporate scenes from earlier Dark Tower novels.
On 'Van Halen,' I was a young punk, and everything revolved around the fastest kid in town, gunslinger attitude. But I'd say that at the time of 'Fair Warning,' I started concentrating more on songwriting. But I guess in most people's minds I'm just a gunslinger.
Based on a lifetime of observations and a few decades in the markets, I understand that societies, beliefs and fashions all move in long arcs of time. We call these arcs several things: cycles, periods, eras.
I'm a firm believer in stories with arcs and beginnings and endings and all that. 'Scott Pilgrim' is sort of one long novel, and it's so long that I get confused and sort of tread water sometimes. But there's definitely a goal to it. People who just dismiss it as shallow, that's their prerogative, but it's not really my intent.
I suppose ultimately I'm interested in music. I'm a musician. I'm not a gunslinger. That's the difference between what I do and what a lot of guitar heroes do.
This is going to sound strange, but I really feel I know Roland very well. In Wizard and Glass, I got to know the young Roland, and then as I traveled with him from Eluria (found in the story "The Little Sisters of Eluria") through Tull and the Mohaine Desert (The Gunslinger), and then all the way to the Dark Tower.
Scrivener is where I live. I'm planning the next novel, two screenplays and a couple of short stories with it and it's amazing how fluid the software makes the process. I genuinely think this is the biggest software advance for writers since the word processor.
When I first started, I wasn't really into movies that much unless it was an action-packed gunslinger with naked women here and there.
Originally, I broke the story [The Gunslinger Born] into eight comic books, but when the editors at Marvel thought we should make it more compact, I managed to cut back to seven.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
We went back on a very similar manifesto to things I believe in. The difference is that after eighteen months to two years he did the biggest U-turn on policy of all time and started to go the wrong way. In the end, that cost us the next election.
I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.
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