A Quote by Robin G. Collingwood

As a child growing up among artists I learned to think of a picture not as a finished product exposed for the admiration of the virtuosi, but as the visible record, lying about the house, of an attempt to solve a definite problem in painting.
We cannot solve a problem by saying, "It's not my problem." We cannot solve a problem by hoping that someone else will solve it for us. I can solve a problem only when I say, "This is my problem and it's up to me to solve it."
I will take a picture with anyone who wants one. All they have to do is ask. If I don't want to take a picture, there is an easy way to solve that problem - I don't leave my house.
When you're trying to solve a problem on a new product type, you become completely focused on problems that seem a number of steps removed from the main product. That problem solving can appear a little abstract, and it is easy to lose sight of the product.
I was trained to become an economist and I finished my work and I was teaching and did my PhD so I thought I did that. I prepared myself for that kind of road. But then I realized that I had not learned enough to solve the problem of poverty. So I distanced myself from the things that I learned and tried to learn anew about people.
I consider my painting finished when my eyes goes to a particular spot on the canvas. But if I put the picture away about thirty feet on the wall and the movements keep returning to me and the eye seems to be responding to something living, then it is finished.
Artists raise their kids differently. We communicate to the point where we probably annoy our children. We have art around the house, we have books, we go to plays, we talk. Our focus is art and painting and dress-up and singing. It's what we love. So I think you can see how artists in some way raise other artists.
An artist painting a picture should have at his side a man with a club to hit him over the head when the picture is finished.
I think one of the greatest advantages we had on the show growing up was being exposed to Mr. Cosby - being exposed to his work ethic, being exposed to how he handles the job of celebrity and living in the public eye... I think that all had a real significant impact.
Sometimes working on one painting will help solve a problem in another painting.
When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.
I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials.
My favorite record, growing up, was 'Songs of the Haunted House,' a Disney record that was just wackiness. It's still one of my favorites, actually.
There are nations that resist, voices that attempt to diminish the urgency or dismiss the science, or declare, either in word or indifference, that this is not our problem to solve. Well, let me tell you, it is our problem to solve... To the reticent nations, including the United States, I say this: There is such a thing as a global conscience.
I don't think there's a single child who's ever benefitted from being arrested for marijuana or for underage drinking; this does not solve the problem. It makes worse problems because a) it puts them into the system, and b) it gives them a potential criminal record to have to deal with and it can have consequences for school.
A science fiction story is just an attempt to solve a problem that exists in the world, sometimes a moral problem, sometimes a physical or social or theological problem.
I think the problem with growing up and idealizing self-destructive artists is that you only see the beauty they created rather than all the pain that went along with it.
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