A Quote by Robin Givhan
In the '50s, women aspired to dress like their mothers - this polished, controlled, formal way of dressing. Then all of a sudden in the '60s, going into the '70s, they stopped dressing like their mothers.
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I did some research into what was going on in terms of the sexual revolution that was happening in the '60s in the gay community and particularly in the drag world. Before the '60s, guys doing drag would dress like their mothers or iconic Hollywood actresses.
And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
It's no secret I like to dress a bit sexy and body-conscious, and as soon as I was pregnant, it was like it was inappropriate to dress the way that I dress. And that really annoyed me. It's a wrong message that dressing feminine and sexy and being a mother can't go together.
In fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.
It is a little bit strange from when you share a dressing room with someone, you play with them and then all of a sudden they are your manager but you used to have conversations with them that stay in dressing rooms and now you can't really have those conversations!
We broke through the feminine mystique and women who were wives, mothers and housewives began to find themselves as people. That didn't mean they stopped, or had to stop, being mothers, wives or even liking their homes.
Gender roles are absurd when you actually look at them. The fact that anybody could ever say or think that dressing in women's clothes is wrong, or odd. Women dressing in women's clothes and men dressing in men's clothes is the actually the thing that is really odd.
When I think about old Hollywood and the glamour of those days, women like Grace Kelly, Marilyn Monroe, and Audrey Hepburn were not dressing the way some girls dress today. There was a certain mystery about them, and I feel like that's gone in our industry.
Mothers were much too sharp. They were like dogs. Buster always sensed when anything was out of the ordinary, and so did mothers. Mothers and dogs both had a kind of second sight that made them see into people's minds and know when anything unusual was going on.
If you see somebody dressing like me, you know they're purposely trying to dress like me because I dress like nothing.
The Dolphins' is my tribute to all those selfless mothers and women that I have ever come across, including my own mother, Indira. Some 75 per cent of mothers that I have seen are like that, all of them worthy of emulation.
Dressing with style is akin to issuing a manifesto; dressing fashionably is like signing a petition.
I like dressing like a guy. I love it. When I was modeling I used to do pictures where I would dress up like my little brother. No makeup and I looked like a boy.
I like dressing like a guy. I love it. When I was modeling I used to do pictures where I would dress up like my little brother. No makeup, and I looked like a boy.
I know that a lot of feminist fears about the trans movement have been, "Wait, we never got to the part where we focus on women! We tried for a minute, but we don't want to lose the category all of a sudden. We haven't heard yet from the females with children called mothers, we haven't heard yet from all these groups!" On the one hand I'm very sympathetic to that, but the category of Women or Mothers, any of these categories, are on shifting sands and always have been.
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