A Quote by Robin Hobb

In real life, things don't all end at the nice same place. To keep the story real, there has to be kind of a ragged edge at the end of a novel. — © Robin Hobb
In real life, things don't all end at the nice same place. To keep the story real, there has to be kind of a ragged edge at the end of a novel.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
Of course, in a novel, people's hearts break, and they die and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
War is more like a novel than it is like real life and that is its eternal fascination. It is a thing based on reality but invented, it is a dream made real, all the things that make a novel but not really life.
A major boom in real stock prices in the US after Black Tuesday brought them halfway back to 1929 levels by 1930. This was followed by a second crash, another boom from 1932 to 1937, and a third crash. Speculative bubbles do not end like a short story, novel, or play. There is no final denouement that brings all the strands of a narrative into an impressive final conclusion. In the real world, we never know when the story is over.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again.
The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
At the end of the day, we are real people going through real things.
We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I'm tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
Simply put, you can read a story in a single sitting and hold it all in your mind. You can experience all of its rhythms, beginning to end, during that span. Consequently it has, I think, greater emotional power than a novel because of this real-time effect. Stories can stun you.
I do think there is great strength, though, in starting a sermon with a story, then returning to that story at the end. That puts book ends to a sermon. It is a real simple technique that communicates to the audience that there is a sense of closure, that they have a package here, or we began and we closed with this. I think that's just a nice technique.
The cruelty of death lies in the fact that it brings the real sorrow of the end, but not the end. The greatest cruelty of death: an apparent end causes a real sorrow. Our salvation is death, but not this one.
A novel that features real people is complicated, but in the end, that extra challenge is all for the good.
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