A Quote by Robin Lakoff

Reagan's genius as a communicator lies in his use of ambiguity. ... Ambiguity is the mother of Teflon. — © Robin Lakoff
Reagan's genius as a communicator lies in his use of ambiguity. ... Ambiguity is the mother of Teflon.
Screw ambiguity. Perversion and corruption masquerade as ambiguity. I don`t trust ambiguity. John Wayne
The ambiguity of poetic language answers to the ambiguity of human life as a whole, and therein lies its unique value. All interpretations of poetic language only interpret what the poetry has already interpreted.
Ambiguity around ambiguity is forgivable in an unpublished poet and expected of an arts student on the pull: for a professional comedian demoting himself to the role of 'thinker', with stadiums full of young people hanging on his every word, it won't really do.
Unlike the ambiguity of life, the ambiguity of language does reach a limit.
I don't have a distaste for ambiguity, in fact, ambiguity is what I think life is all about.
I think if a poet wanted to lead, he or she would want the message to be unequivocally clear and free of ambiguity. Whereas poetry is actually the home of ambiguity, ambivalence and uncertainty.
Photography's ability to blur truth and fiction is one of its most compelling qualities. But when misused... this ambiguity can have severe, even lethal consequences.... Photography's ambiguity, beautiful in one context, can be devastating in another.
Whenever there's chaos, there's ambiguity, and where there's ambiguity, there's fear. And fear gets manipulated.
As a novelist, your impulse is toward multiplicity: multiple voices, multiple perceptions, multiple nuances, the ambiguity in human communication. Fiction really is the ultimate home for that sense of ambiguity.
The genius of guys like Lincoln and Reagan and FDR - the great communicator leaders - is that they're actually educators, so they understand when they use a phrase that they have to explain it, because, by definition, you won't understand it or they wouldn't need to be using it.
The mark of a mature, psychologically healthy mind is indeed the ability to live with uncertainty and ambiguity, but only as much as there really is. Uncertainty is no virtue when the facts are clear, and ambiguity is mere obfuscation when more precise terms are applicable.
I think, as we all learn as a child, you have to learn to tolerate ambiguity better and I'm still terrible at it and I hate it; even the word ambiguity makes me sick to me stomach.
I think the relationship between social-dominance orientation in people and the extent to which they're made uncomfortable by ambiguity and novelty is really important. Better a stable world that's familiar, in which I'm doing pretty poorly, than dealing with all the ambiguity of a changing world.
Beauty is self-defined, perceived and understood without ambiguity. It's the stuff that lies under the skins of our individual existences.
No need to choose; become choiceless. And whatsoever happens happens; whatsoever happens is good. Let things happen rather than trying to do, and you will be surprised that all ambiguity disappears. It is a by-product of the chooser's mind, the choosing mind, that creates ambiguity. Otherwise there is no dilemma. Negative and positive are perfectly balancing in life.
In any case, once you're dealing on a nonverbal level, ambiguity is unavoidable. But it's the ambiguity of all art, of a fine piece of music or a painting - you don't need written instructions by the composer or painter accompanying such works to 'explain' them. “Explaining” them contributes nothing but a superficial 'cultural' value which has no value except for critics and teachers who have to earn a living.
This site uses cookies to ensure you get the best experience. More info...
Got it!