A Quote by Robin Leach
People know I'll be sensational, not scandalous. There's a fine-line difference. Sensational means titillating the viewer. Scandalous means being condemned by the viewer for making unfair, uncouth revelations.
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Sensation is an element of what I do, and why not? It's not sensational for the sake of being sensational, but it's sensational art... It's like touching skin.
In the Classical tradition, deriving from ancient Greece and Rome, beauty was perceived as the means by which the artist captured the viewer's eye in order to engage the viewer with truth and so inspire goodness.
What intrigues me is making images that confound and confuse the viewer but that the viewer knows, or suspects, really happened.
I'm a truth seeker. That's what I do every day on the show - put out the truth. Some people don't like it, they call it sensational, but I say life is sensational.
Ernest Hemingway called Jospehine the "most sensational woman anyone ever saw." I think all women deserve to be this sensational looking!
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work.
When consciousness has awakened it is not something sensational or spectacular. It's simply a reality as natural as the one of a tree that has growth slowly and developed without starts or sensational stuffs. Nature is Nature.
I am not asking for sensational revelations, but I would like to sense the meaning of that minute, to feel it's urgency.
People stopping you in the street, though, is very different from being hounded by the press, which is the kind of attention that celebrities get, and I'm probably too old for that kind of thing to happen anyway. I think it happens more when you're dating all sorts of different very handsome actors or something. They want gossip and scandal, and they know they're not going to get it from me because I'm too old to be scandalous. Of course, they could read the book - although it's not really a scandalous book.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
Being a Negro in America means trying to smile when you want to cry. It means trying to hold on to physical life amid psychological death. It means the pain of watching your children grow up with clouds of inferiority in their mental skies. It means having their legs off, and then being condemned for being a cripple.
It matters that we have balance and facts and push people when they need to be pushed so that we can give the accurate, fair, balanced piece to the viewer, and then it's up to the viewer to be the judge.
One reason for making and exhibiting a work is to induce a reaction or change in the viewer.... In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer.
We are so busy telling God where we would like to go. We wait with the idea of some great opportunity, something sensational, and when it comes we are quick to cry, 'Here am I.' Readiness for God means that we are ready to do the tiniest little thing or the great big thing, it makes no difference.
Love is not a feeling; it's a sensation. Drinking water when you're thirsty is a sensation, not a feeling. Being in nature or swimming in the sea is a sensation, not a feeling. Lying down when you're tired is sensational, not a feeling, although you may say it feels good. Feeling is an emotional interpretation of experience and these sensations don't need interpretation; they are just good or right. Making physical love rightly is a sensation, not a feeling. So is the love of God. The same goes for joy and beauty; both are sensational.'
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