A Quote by Robin Lopez

What kind of a dinosaur am I? I guess something like a triceratops. A triceratops is not too dynamic, but has a little strength. — © Robin Lopez
What kind of a dinosaur am I? I guess something like a triceratops. A triceratops is not too dynamic, but has a little strength.
Triceratops is very common: they are the cows of the Cretaceous; they are everywhere.
I don't really know too many designers. I like a lot of what Kanye West has done with Yeezy, but I think it's a bit too, how you say, elevated; it's a little bit too special. Like he's trying to make something that's kind of a little bit too cool sometimes.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
It's weird to say, but Sebadoh is kind of Dinosaur Jr. Jr. My two bandmates in the early Sebadoh era, Jason Lowenstein and Jeff Gaffney, were huge Dinosaur fans. They were very influenced by Dinosaur.
I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
1925's 'The Lost World' is... really, everything a dinosaur movie should be. Like a dinosaur, this classic was once extinct too, existing as mere fragmentary footage and stills, but cinemaphile fossil-hunters have painstakingly excavated bits and pieces from obscure archives and assembled them into a nearly-complete animal.
But I'll tell you something else, too. Something I've learned, the hard way. I guess"—Gram laughed a little—"I'm the kind of person who has to learn things the hard way. You've got to hold on. Hold on to people. They can get away from you. It's not always going to be fun, but if you don't—hold on—then you lose them.
I am such a vacation girl. I have little places that I go to frequently! If I am not too busy on a weekend, I try to go someplace like Mexico or Manzanillo or something like that.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
I like to make people laugh. That's for sure. And I really like to humiliate myself and go very far in derision and stuff. But no, I like everything. I started a little bit of doing drama, too. I like that, too. I guess I just want to touch everything.
In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
There's probably some buried conservative inside of me, coming out like a little gremlin in my belly that I've suppressed. This is a sort of character I've done before: He's kind of dumb and he's kind of arrogant, and a little seedy. A little coke-y. He's gotten into the cocaine or he's had too much coffee. It's been pretty fun. Not all the songs are like that but it sort of creeps in there.
I guess the biggest thing I had to get used to was people staring. At first it was like, 'Am I wearing something odd? Is there something on my face?' It was kind of weird because when I go to the grocery store, people, they're not necessarily coming up to me asking for a photo, they just... look at me.
Love is infectious. You know, God is infectious-God flowing through us and us being little-baby creators and s--t. But His energy and His love and what He wants us to have as people and the way He wants us to love each other, that is infectious. Like they said in Step Brothers: Never lose your dinosaur. This is the ultimate example of a person never losing his dinosaur. Meaning that even as I grew in cultural awareness and respect and was put higher in the class system in some way for being this musician, I never lost my dinosaur.
I guess because I was on the 'Early Show' for so many years, any little victory here is something kind of new for me.
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