A Quote by Robin Marantz Henig

The music that was popular in your youth seems to be the music you recall most vividly - and most nostalgically - for the rest of your life. But so is the music that was popular in your parents' youth.
Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.
Your youth is the most important thing you will ever have. It's when you will connect to music like a primal urge, and the memories attached to the songs will never leave you. Please hold on to everything. Keep every note, mix tape, concert ticket stub, and memory you have of music from your youth. It'll be the one thing that might keep you young, even if you aren't anymore.
If all music did was bring the past alive, that would be fine. You can hide away in music and let it recapture memories of things that used to be. But music is greedy and it wants more of your heart than that. It demands the future, your future. Music wants the rest of your life. So you can't rest easy. At any moment, a song can come out of nowhere to shake you up, jump-start your emotions, ruin your life.
Everybody likes music. And rock 'n' roll - that was the music that brought white youth and black youth together for the first time in American music history.
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.
The music of your youth stays with you throughout your life.
For me, personally, the most interesting music comes from the popular sector - from film and pop music - since contemporary classical music got stuck and went into directions where it lost a lot of the public by over-intellectualizing.
Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.
In my opinion, it seems like music is taking a bit of a turn. Look at Mumford and Sons, and the Lumineers. It seems like people and music fans are enjoying the more artistic side of music, and that popular music is taking a turn and accepting that, so I appreciate that.
It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.
Commercial music, for the most part, is popular music and you always have to keep that in mind.
The kind of songs I sing have been existing in Bollywood music since a long time. In fact, the reason my music is so popular amongst the millions of youth is because I sing in their own language, in their own slang, and about their lives.
In rap, as in most popular lyrics, a very low standard is set for rhyme; but this was not always the case with popular music.
Film music is always given a step-motherly treatment though it is the most popular form of music.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
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