A Quote by Robin Marantz Henig

The essence of play is that the sequence of actions is fluid and scattered. — © Robin Marantz Henig
The essence of play is that the sequence of actions is fluid and scattered.
The calamities of tragedy do not simply happen, nor are they sent; they proceed mainly from actions, and those the actions of men.We see a number of human beings placed in certain circumstances; and we see, arising from the co-operation of their characters in these circumstances, certain actions. These actions beget others, and these others beget others again, until this series of inter-connected deeds leads by an apparently inevitable sequence to a catastrophe.
Anyone who dares to speak about an aether is regarded as an ignorant and backward mind and he can only lose his credibility in scientific circles, although in reality those who criticize him use the same concept of intermediate medium in other words, whether it be fields, an associated fluid, a probability fluid, a pilot fluid, a quantum fluid, etc.
A random sequence is one that cannot be algorithmically compressed : the shortest description of a random sequence is simply the sequence itself.
The idea behind reinforcement learning is you don't necessarily know the actions you might take, so you explore the sequence of actions you should take by taking one that you think is a good idea and then observing how the world reacts. Like in a board game where you can react to how your opponent plays.
The emptiness of play is when there is no self present. There is no one playing - there is only play itself taking place, perfect fluid motion.
In the early Buddhist view, then, a persons identity resides not in an enduring self but in his actions (karma)- that is in the choices that shape these actions. Because the dispositions formed by previous choices can be modified in turn by present behaviour, this identity as choice-maker is fluid, its experience alterable. While it is affected by the past, it can also break free of the past.
Any solid lighter than a fluid will, if placed in the fluid, be so far immersed that the weight of the solid will be equal to the weight of the fluid displaced. On floating bodies I, prop 5.
I think it's important I stay connected to every part of my personality. I play basketball. I rock climb. I paint. I'm a little bit scattered, but it's so I can convincingly play all these characters.
Things are fluid in this world, and if you don't remain fluid, you get lost in the sauce.
I am the owner of my actions, heir to my actions, born of my actions, related through my actions, and have my actions as my arbitrator. Whatever I do, for good or for evil, to that I will fall heir.
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
Beings are owners of their actions, heirs of their actions; they originate from their actions, are bound to their actions, have their actions as their refuge. It is action that distinguishes beings as inferior and superior.
That's the power of music, a key sequence or a chord sequence or even a note can do something to you physically that's uncontrollable.
A lot of the issues of rhythm in film are found in the editing because it's very rare that any sequence is the sequence that is shot.
Compose in the sequence of the musical phrase, not in sequence of a metronome.
Thinking, understanding, reasoning, willing, call not these Soul They are its actions, but they are not its essence.
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