A Quote by Robin McLeavy

I have a background in theater. At the time I read The Loved Ones script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in A Streetcar Named Desire and Isabella in Measure for Measure.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
Playing Isabella in 'Measure for Measure' pushed me to my limits. Janet Suzman was directing, and she was very hard on me. I went through phases of not liking her at the time, but I loved her for it in the end.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
What do we measure when we measure time? The gloomy answer from Hawking, one of our most implacably cheerful scientists, is that we measure entropy. We measure changes and those changes are all for the worse. We measure increasing disorder. Life is hard, says science, and constancy is the greatest of miracles.
The thing you can't measure is someone's heart, someone's desire. You can measure a 40, his vertical, his bench press, and that might let you know things like, yeah, he can jump high. But desire, his dedication, his determination, that's something you can't measure. That's something you can't measure about Rod Smith.
People who don't know how old I am can cast me as the woman in 'Girl with a Pearl Earring' and can cast me as Stella in 'Streetcar Named Desire,' and they are miles apart.
Growing up, I loved films like 'A Streetcar Named Desire' and 'On the Waterfront' and became a huge fan of Marlon Brando.
Racism itself is difficult to measure. We can measure hate crimes - which are absolutely an indicator. We can measure reports of discrimination. We can measure the number of times hateful words are being used across the Internet. Those things all help us measure racism, but it can sometimes be nebulous.
You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.
People of great ability do not emerge, as a rule, from the happiest background. So far as my own observation goes, I would conclude that ability, although hereditary, is improved by an early measure of adversity and improved again by a later measure of success.
The measure of a life is a measure of love and respect, So hard to earn so easily burned In the fullness of time, A garden to nurture and protect It's a measure of a life The treasure of a life is a measure of love and respect, The way you live, the gifts that you give In the fullness of time, It's the only return that you expect
Time is a measure of space, just as a range-finder is a measure of space, but measuring locks us into the place we measure.
After I finished working on the movie, I went back into the show again playing Riff, so it was an incredible time because I loved playing Riff in the theater and, of course, I loved playing Bernardo in the film. We had such a really beautiful time. We knew we were working on something of quality.
Every time a man is begotten and born, the clock of human life is wound up anew to repeat once more its same old tune that has already been played innumerable times, movement by movement and measure by measure, with insignificant variations.
Don’t measure busywork. Don’t measure activity. Measure accomplishment. It doesn’t matter what people do as much as it matters what they get done.
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
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