A Quote by Robin McLeavy

My mom was an environmental activist in Australia in the late ’60s and ’70s and I guess I’ve inherited that awareness from her. — © Robin McLeavy
My mom was an environmental activist in Australia in the late ’60s and ’70s and I guess I’ve inherited that awareness from her.
My mom was an environmental activist in Australia in the late '60s and '70s, and I guess I've inherited that awareness from her.
First as a peace activist in the late '60s, then as a political activist in the '70s, and then in joining the armed clandestine resistance movement that was developing in the '80s, I am guilty of revolutionary and anti-imperialist resistance.
In the late '60s and '70s, when feminism was on the up sweep, there was an awareness of things that we're losing again.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
My mother had her dresses made. In those days in Chile, the early '70s, people had dressmakers make their things. With the leftovers, my sister and I always had a matching outfit. She had an outfit, we had the mini version. That was the very late '60s, early '70s way to dress your kids.
I've inherited my mom's nurturing side, but I've also gotten her 'chronically five minutes late for everything' side, too!
What we know is that the environmental movement had a series of dazzling victories in the late '60s and in the '70s where the whole legal framework for responding to pollution and to protecting wildlife came into law. It was just victory after victory after victory. And these were what came to be called 'command-and-control' pieces of legislation.
My mom would always play me a lot of late-'50s, late-'60s rock.
There was a period of time when I was very political, when I was at the university. It was like the late '60s, early '70s and I was a dissident like everybody else I guess. Now I follow it but there's nothing that really grabs me. The most fascinating thing to me right now is China.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
Those late '60s early '70s bands would take it really far out and get super-weird.
I always lamented that I wasn't a writer during the late '60s and the early '70s, with the New Journalism and Tom Wolfe and Hunter Thompson and all those people.
The first famous winemaking consultant was the late professor Emile Peynaud, who reigned over Bordeaux throughout the 1940s, 50s, 60s and 70s.
We, in the late '60s, '70s and '80s, are acting like we have just discovered freedom and liberation. But I'm sure that many women have worked for that for such a long time.
The first famous winemaking consultant was the late professor Emile Peynaud, who reigned over Bordeaux throughout the 1940s, '50s, '60s and '70s.
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