A Quote by Robin Meyers

In every waking hour a sacred theater is in session, played out before an audience that is largely blind. — © Robin Meyers
In every waking hour a sacred theater is in session, played out before an audience that is largely blind.
I always feel like out of every session that I do, whether it's a record session or even a concert, I like to think that there was something in there that I didn't do before. That's my goal.
Contrary to what you might think, I don't spend every waking hour thinking about boys." "Just most waking hours?
I've been involved in cycling all my life and at a high level for 20 years. It consumes your every waking minute whether you are aware of it or not: your last training session, your next session, what you are eating next. It is a passion.
When I carve out time to game, it's because I rationalize that I 'deserve it,' so I relish every minute of that 2-3 hour session.
I want the audience to walk out of the theater feeling they got their money's worth. Every movie that I enjoy, I leave the theater with something to take with me.
I was playing basketball at Lifetime Fitness every day for two hours. Like, I played an hour of basketball before I played David Ferrer in the semi-final.
I was just at a point where waking up every day was a struggle. Coming out of every training session and wanting to cry, and having no confidence, not believing in myself and it's kind of this vicious cycle of focusing on all these things that I couldn't control and it was just eating away at me and pulling me down and I just wasn't happy anymore.
We do a lot so we spend probably like an hour before every practice and game on the table getting treatment. We spend probably about the same, 30 minutes to an hour after the game, to be reasonably healthy when we can. But yeah, especially for me, doing the treatment before and after the game is why I'm able to be out there every night.
There is always a sacred hour in the theatre - after rehearsals and before performances, in the afternoon, between three and five o'clock. Normally the theatre is empty then, and this is a wonderful hour.
I played in front of every conceivable audience you could face: an all-black audience, all-white, firemen's fairs, policemen's balls, in front of supermarkets, bar mitzvahs, weddings, drive-in theaters. I'd seen it all before I ever walked into a recording studio.
I work virtually every waking hour.
My father actually moved out from Chicago just so he could play tennis 365 days a year, so it was - it was a place we played every day. We played before school. We played after school. We woke up. We played tennis. We brushed our teeth in that order.
I used to be a session musician before I was a wrestler. I played bass guitar. I was big pals with Lars Ulrich, and he asked me if I wanted to play bass with Metallica in their early days, but it didn’t work out.
I am influenced by every second of my waking hour.
I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
This site uses cookies to ensure you get the best experience. More info...
Got it!