A Quote by Robin Pecknold

You want to make music that reflects your ideals, but considering the isolating process of recording and the time and energy requirements of touring, there aren't a lot of opportunities to express those ideals anywhere but the music itself.
We in America have some grand ideals - and some very strong ideals - but a lot of times, those ideals are used for marketing.
The Republic of Macedonia is being built on democratic ideals and values, not on ethnic groups. Those ideals and values include economic opportunities, language and educational opportunities, religious rights, and political processes.
The essence of Ananda is both personal and sociological. Personally for people who seek truth or identities of God, it helps to be with other people who share those ideals. Environment is stronger than willpower, and when you are with people who have high ideals, it helps you to grow in your ideals.
The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, rather than limits the aspirations and ideals of the people, in the way it makes itself a part with the finer things that humanity does and dreams of.
I suppose we make kids the repository of our highest ideals because children are powerless. In that way we can have ideals and ignore them at the same time.
We know that we can defeat Islamist terrorism without violating our ideals; indeed, we must. These ideals, these American ideals.
It's a really interesting situation, because when you make music at home all the energy goes into the process, and touring's all about the energy going outward. I had to learn how to do that transition, but once I figured that out it's so much fun.
I wanted to write a book about people who have the best intentions and think - really, truly think - that they're doing the right thing. And then they realize that when those ideals come knocking at their windowsill, a lot of times they will suddenly disavow those ideals.
A lot of time, the music reflects reality, which reflects music.
But the egoist has no ideals, for the knowledge that his ideals are only his ideals, frees him from their domination. He acts for his own interest, not for the interest of ideals.
My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.
It doesn't suffice to knock the state, to destroy the ideals. Something has to replace those ideals if they're taken away.
What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order.
My music reflects my strong belief in equal opportunities for all - specifically young girls and women. Many, many children do not have anywhere near the opportunities that we kids did in my community - great schools, public safety, etc.
We lose ourselves when we compromise the very ideals that we fight to defend. And we honor those ideals by upholding them not when it's easy, but when it is hard.
We come to think of an idealist as one who seeks to realize what is not in fact realizable. But, it is necessary to insist, to have ideals is not the same as to have impracticable ideals, however often it may be the case that our ideals are impracticable.
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