A Quote by Robin Pecknold
The lyrics to me are a result of the emotional and creative climate present while making the record as well as personally going through a sort of mid-twenties stock-taking.
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There's another style of meditation that I've been doing since my mid-twenties. Tapping into your higher self to get a glimpse of yourself from the outside and get insight into what's going on in your life. I learned that from my godfather in my mid-twenties.
When I started out, the most terrifying thing was when I had to be very, very emotional in front of lots of people. Now I've kind of learned that it is very important to keep talking all day, keep making jokes, and be connected with people, and be present. It's very important for me to be absolutely present in order to be emotional. I learned that is sort of the way I need to be.
I personally pay, through the majority of my stock and through cash, college tuitions of our full-time employees' kids. Life-changing events are generally covered by Boxed as well.
Democracy doesn't require a whole lot of work of its citizens, but it requires some: It requires taking a good look outside once in a while, and considering the bad news and what it might mean, and making the occasional tough choice, and soberly taking stock of what your real interests are.
He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.
I have not spent years in therapy; I tried therapy in my mid-twenties, and it did not go very well. I just thought, 'This is so not for me. I would rather talk to one of my girlfriends.'
I am very determined when it comes to my music, and I grew up just loving those singers who had that urban sort of feeling. So when it came down to making my record, I wanted to have that as well. ForeFront was really good about letting me go in that direction and then of course adding the more pop sounds. I feel very fortunate that I got to explore some unique and creative angles musically.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
A skyscraper is at the same time a triumph of the machine and a tremendous emotional experience, almost breath-taking. Not merely its height but its mass and proportions are the result of an emotion, as well as of calculation.
So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me.
Are you going to divest in the banks and pension funds? Plenty of people are willing to invest in stock of those companies. You can argue that when a lot of people divest, it makes the stock price artificially low, which makes their price-to-earnings ratio more favorable, which makes it a better investment for the people who don't give a damn - - and is it really going to change corporate behavior? It begins to create a climate of antagonistic opinion, the result might be that the corporate executives will retreat even more into their own selfjustifying narratives.
What keeps my flame burning is, first, I'm ornery and persistent. I don't like giving up on things and I believe in my band and I just happen to have the sort of personality that really likes to see things to the bitter end. The second reason is the incredible people I've been fortunate to meet as a result of pursuing this insane, money-hemorrhaging enterprise. Literally every time I release a well-reviewed, poor-selling record, the net result is that I end up meeting more kind, like-minded, creative and brilliant people. That's really all the reward I need.
The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.
Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important.
Climate change is not going to be prevented. It's not even going to be mitigated to the degree a rational person would want. As a result we're going to have to live with climate change and try to reduce the extent and rate of change as much as possible. This is not an inspiring or sexy project.
While the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.” I closed my eyes, breathing heavily. “Well, that was…really sort of perfect.” “I’m really sort of perfect … Everyone else knows that. You’re just a little slow on the uptake.
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