Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.
Give the child good books, then let it alone! Don't plough and harrow its brain, or stretch it on Procrustes-beds of standardization, simplification, and what not!
I wrote a query letter to an editor - a friend of a friend. The editor called me an idiot, told me never to contact an editor directly, and then recommended three literary agents he had worked with before. Laurie Fox was one of them, and I've never looked back.
I always warn aspiring reporters to observe three basic rules: 1. Never trust an editor. 2. Never trust an editor. 3. Never trust an editor.
An Editor becomes kind of your mother. You expect love and encouragement from an Editor.
Of course a magazine is shaped by its editor, and each editor is different.
I was the editor of the News of the World; I was the editor of the Sun and chief executive.
An editor who is a mentor, advisor, and psychiatrist. Don't kid yourself-a good editor will make your book better.
I wanted to be my own editor, and by 'editor,' I mean unedited-or.
My husband is an editor, and in fact he was the first person who hired me as an assistant editor. Then we fell in love and the rest was history.
I really only became an editor, or started doing my own editing because I was filming the docs and you simply can't keep an editor on for as long as it takes so.
I'd love to find a lifelong female film editor as Scorsese has with Thelma Schoonmaker. I think women are probably, without generalising, sensitive to subtle things as an editor.
Two opposite and instructive figures in U.S. journalism during the Trump years are Gerard Baker, editor of the Wall Street Journal, and Martin Baron, editor of the Washington Post.
As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting, I'm just aware in the back of my head what an editor might want.