A Quote by Robin Sloan

Imagination runs out. But it makes sense, right? We probably just imagine things based on what we already know, and we run out of analogies in the thirty-first century.
In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.
It is within the last quarter century or thirty years. And a lot of that law has turned out to be very, very protective of the press and the public's right to know.
I used to think...that I had to be careful with how much I lived. As if life was a pocketful of coins. You only got so much and you didn't want to spend it all in one place...But now I know that life is the one thing in the world that never runs out. I might run out of mine, and you might run out of yours, but the world will never run out of life. And we're all very lucky to be part of something like that.
ou can hardly imagine how I am struggling to exert my poetical ideas just now for the discovery of analogies and remote figures respecting the earth, sun, and all sorts of things โ€” for I think that is the true way (corrected by judgment) to work out a discovery.
Imagination, which is a quality writers must have, does not mean the ability to weave pretty stories out of nothing. In the right sense, imagination is a response to what is going on โ€” a sensitiveness to which outside things appeal. It is a composition of sympathy and observation.
Of course the sands of Present Time are running out from under our feet. And why not? The Great Conundrum: 'What are we here for?' is all that ever held us here in the first place. Fear. The answer to the Riddle of the Ages has actually been out in the street since the First Step in Space. Who runs may read but few people run fast enough. What are we here for? Does the great metaphysical nut revolve around that? Well, I'll crack it for you, right now. What are we here for? We are here to go!
Never did I want to call the first time-out during a game. Never. I wanted UCLA to come out and run our opponents so hard that they would be forced to call the first time-out just to catch their breath. At that first time-out the opponents would know, and we would know that they knew, who was in better condition. This has a psychological impact.
The problem with time, I've learned, whether it's those first two weeks I got to spend with you, or the final two months I got to spend with him, eventually time always runs out. I have no idea where you are out there in the world, John. But I understand that I lost the right to know these things long ago. No matter how many years go by, I know one thing to be as true as ever was - I'll see you soon then.
I want to be a guy who produces runs, who drives in runs, who can beat you with a single or can beat you with a home run, who's just a tough out.
I'm always gratified when I check something I've made up and discover that I've gotten it right. How can we imagine something that turns out to be true? How can we know things we couldn't possibly know? It makes me wonder about the existence of a collective unconscious.
Summer runs out the way a centerfielder runs out of real estate - slowly at first, then all at once.
One can imagine that the ultimate mathematician is one who can see analogies between analogies.
You can work on a movie for years, and you won't know until you show it to an audience for the first time if it makes any sense to them at all, if they're touched, if they find it funny, so it's endlessly exciting, because failure is just right there all the time, and your chances of success don't rise that much based on the fact that you succeeded last time.
Writing a story starts out as a puzzle in your mind, of "What is it I'm fantasizing about right now that makes me think this is going to be worth years of work?" And you just keep pushing and trying to figure it out, and once you've hit on these resonances... Then as a screenwriter, it can be dangerous if you get too hooked on just finding things that resonate with each other, because then you risk getting into stuff that's too neat, and becomes stifled as storytelling. But you do feel like you're on the right track when you start to have a sense of what goes with what.
The thing with being on a series that runs that long is that the writers run out of things to do.
How extraordinary was my life an incident may illustrate... [As a youth] I was fascinated by a description of Niagara Falls. I had perused, and pictured in my imagination a big wheel run by the Falls. I told my uncle that I would go to America and carry out this scheme. Thirty years later I saw my ideas carried out at Niagara and marveled at the unfathomable mystery of the mind.
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