A Quote by Robin Sloan

I saw the short stories people were doing on Kindle and really liked the idea of seeing something I'd written on that screen. — © Robin Sloan
I saw the short stories people were doing on Kindle and really liked the idea of seeing something I'd written on that screen.
I liked Bollywood a lot growing up; I just liked the idea of seeing people that looked like me on a big screen, that alone just does so much for confidence. I'm a super visual person, I need to see something before I do it.
We really wanted someone from the culture to sort of do that. And we heard about Taika [Waititi]. We saw his movie Boy, which that he had directed and written and which was great. We read another one of his scripts that was great. And we brought him in, showed him what we were doing. He really liked the idea.
When I was a kid, the book that I liked the most was 'Aesop's Fables.' There was a version of it that my father read stories to us kids out of. I liked the idea of the short story format.
I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
I never really liked the idea of doing mixtapes but at the same time it was a big thing a lot of people were doing it and it almost got to the point where if you didn't touch the mixtape circuit it was like you didn't care.
People have the idea of missionaries as going out with the Bible and hitting natives with it. It's not really what they were doing. They were all doing something rather different.
There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
I wanted to do what I was seeing Dorothy Dandridge doing, what I saw Marilyn Monroe do, what I saw Bette Davis do. I wanted to do that: to tell stories. I wanted to make people laugh, make people cry. I wanted to be a storyteller.
To answer the question, though: I didn't always want to direct. I just liked the idea of it. If a friend was making a short and needed someone who knew screen direction, I would jump in. It would be horrible, but it led to a short, then another, and another. It was like student films.
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.
I've written over 100 short stories. You could say I'm obsessed with short stories.
My first five novels were written longhand. So were hosts of short stories.
This was my first novel [The Dissemblers ]. I've never seriously written short stories, and actually find short stories much more intimidating as an art form than novels.
She liked things that had been written by people who had lived short, ugly, and tragic lives. Or, who at least, were English.
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