A Quote by Robin Sloan
There's certainly satire written about techies, but it's so snarky and snide and doesn't treat him as a whole person. The people I worked with at Twitter - they're very analytical, but they're also deep and thoughtful - I feel like they deserved a charismatic spokesperson.
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A lot of racism is paternalism. A lot of people hide their own racism because they treat blacks, minorities and other groups like children because deep down they feel superior and better than these people. And they don't feel like they should just treat a guy like a guy.
I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
There's a lot of definitions flying around of what we mean when we say fake news. And there's also a lot of pitfalls and I think some misguided recommendations that are out there about what Facebook and Twitter and the others should and shouldn't do. It's very difficult and I, you know, recommend sort of very thoughtful slow going for everyone.
Satire is meant to have teeth; satire is meant to be dangerous. But it also happens to be fun because subversion and telling the right kind of people to go to hell is supposed to feel good.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
We like the John Gruber model - he writes some long stuff that's very thoughtful and analytical, and then other stuff, he just adds a bit of commentary. I like that.
What I don’t like are arrogant people. We’re all equal. I don’t like it when a person assumes to be better. It angers me a little. There are a lot of people like that, but the world keeps turning. I also don’t like lies. I’m very honest. I’m always going to tell the truth. I don’t lie. I treat my friends the way I want to be treated.
I think, in terms of corporate philosophy, I've always believed that you've got to treat people in a very very egalitarian manner in the sense I like to treat people on a one-to-one basis. And I like people to take on a lot of responsibilities because I think with a sense of responsibility also comes a sense of purpose.
Personally, I don't have a Twitter account. I like to be in control of the way the stand up of Stewart Lee is perceived, I don't want to have to engage with individual people. Also, when I do look at it, loads of factually inaccurate things about me are written.
I mean we certainly always shoot a lot of extra material, but our goal was to make kind of like a big kind of rock-and-roll road trip comedy that has heart and that has hopefully you feel bad for Russell and you feel bad for Aldeus and also I wanted to surprise people with some of the turns in the movie and I think when I watched it with audiences they certainly...the reactions made me think that we did and so all that I'm just very excited about it.
Johnny Ramone's autobiography is a no holds barred, straight-forward book written in a no-nonsense style that is Johnny personified. His story is written in his own actual words, so the reader gets an insight into what made him the unique, charismatic and exciting individual that he was. It also gives a great view of The Ramones from Johnny's perspective.
The behavioral scientist Karen Stenner has written very eloquently about people who have what she calls an authoritarian predisposition, a personality type that is bothered by complexity and is especially enraged by disagreement. Trump has made himself into the spokesperson for precisely these American authoritarians.
Mark Frankel was just a very tender, thoughtful person, and that was really nice. At that point in life, I hadn't met a lot of people my senior who were that tender, and still doing well and making a real go of it. That was a treat, for sure.
I've worked for everything I've ever got and it's worked out. Even if I was the Cy Young Award winner I still would not want to feel that sense of entitlement. I would still treat every game like it's my very first game and my very last game.
I never ever would have thought initially it would have been someone like Pierce playing Charles. I think he has an innate likeability to him, as soon as you meet him he's very, very charismatic. Charles, on the page, was someone who's very domineering and quite a negative character, and Pierce just by being Pierce can change the whole dynamic of it, which made for a much for interesting relationship. He's a really nice guy.
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