A Quote by Robin Soderling
I feel really good, then I start to practice, and then I think maybe in a couple of months I can come back and I really believe it. Then I do a bit too much and wake up one morning not feeling well again.
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Nothing's been changed overnight. It's like watching your cat grow: you see it every day, so you don't really see it change, you wake up one day and it's a bloody great thing. Your friends come round who you haven't seen for a couple months and they're like, "Oh my god, your cat's grown so much again." And I'm like, "Has it?" But when you're living it... I just find that my life has subtly changed bit by bit, so I don't ever really notice it too much.
I hate being called lazy, so when everybody gets up at half seven in the morning, I'm up at the same time. Everyone goes to work and I'll do a few hours of writing, then I'll mess about for a bit and come back to it. By the time I go home I'm done. I think it's really good to keep that kind of a routine with writing. I find that when I don't do that, it's really hard to get back into that headspace of writing.
My mornings start with mom coming into my bedroom and waking me up, or trying to wake me up, and then I go back to sleep. Then my mom wakes me up again and yells at me. Then she'll get me to wake up, and I'll get dressed and go to school. We go to school, and my teacher tells me that I didn't do the homework well enough. And that's that.
I believe in working with your morning brain - you have your coffee, and then maybe you'll start thinking about the grand plan and what's going to happen in the next arc, and then you write for a while, and then you get really dreamy, and over the course of the day or in the middle of the night, something comes, and you just throw it in!
Part of this individualism is you feel this pressure that you alone have to conquer the world, and if you don't work all the hours God gives then you start feeling really guilty. If you can stop feeling guilty, then I think it's easier to start doing what you want to do.
You're going to feel good. But no matter how much you rehab you do, you can't speed up the healing process. I would rather see a guy come back in 14 months and pitch seven, eight or nine more years then come back in 10 months and get hurt again. You cannot mess with mother nature and father time. Nature will heal it if you give it time.
I don't think you should ever say, 'This is the last time'. Music isn't like that. You'll be sitting there not wishing to get onto a stage again for maybe two, three, four, five months, or maybe a year, then suddenly you'll wake up and feel like you've got to do it again. It's in the blood, and I never say never.
I always have to start with a character that I can really hook into, and then build from there. I have writer friends who start from a world, an object or some kind of concept that they then hone and widdle into a story. But, for me, it has to be a character that I can really sink my teeth into and live with, for months and months.
It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
You know that feeling when you finish a final exam and you think, 'I never want to do that again'? Well I have the same feeling when I finish a novel. Each time I say, 'I think I may retire now' and then after six months the ideas start to churn again. I could never stop.
Although it's pretty rare that I'll get completed, finished lyrics to a song and feel like it's done, and then decide that it's not worth doing. Usually, I can tell along the way - even if it's something I've been working on for a couple of months - that it's just not going to work. Maybe I'll come back to it a few months or even a year later, or maybe it's just gone.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
I wake up every morning, look in the mirror and ask, 'Am I a sex symbol?' Then I go back to bed again. It's stupid to think that way.
I thought 'Back To You' was a good show. The writers' strike really kind of put an end to that, though, honestly. There were a couple of factors involved, but to start a show and then to have it disappear and not come back for that long... it's just bad form.
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