A Quote by Robin Thicke

My songs don't play on pop radio; they play on black radio. — © Robin Thicke
My songs don't play on pop radio; they play on black radio.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.
You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
When I say I don't have to write pop songs anymore, there's no way I'm going to get on the radio at 60 years of age unless I'm doing a duet with Gaga or I was on 'All of the Lights,' which was a Kanye West record that managed to get on the radio.
When I say I don't have to write pop songs anymore, there's no way I'm going to get on the radio at 60 years of age unless I'm doing a duet with [Lady] Gaga or I was on All of the Lights, which was a Kanye West record that managed to get on the radio.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
By the time I actually recorded Bitter Tears I carried a heavy load of sadness and outrage; I felt every word of those songs... I expected there to be trouble with that album, and there was.... when it was released, many radio stations wouldn't play it.... The very idea of unconventional or even original ideas ending up on "country" radio in the late 1990s is absurd.
If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
I used to listen to songs on the radio and play that junk back on that little keyboard.
I think it's really cool when any of your songs play on the radio for the first time.
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