A Quote by Robin Trower

A wah-wah is important as well. I love it; it makes the guitar scream. — © Robin Trower
A wah-wah is important as well. I love it; it makes the guitar scream.
The only problem I've had with my Vox wah is its tendency to move around on the floor. So now it sits on a rubber mat that says in big letters, 'Kirk's Wah-Wah Rug.'
As a young man growing up in that era, I was very influenced by Hendrix and took to a wah wah, and I learned how to really use one effectively as Hendrix did.
There's something about a wah pedal that really gets my gut going! People will probably say, 'He's just hiding behind the wah.' But that isn't the case. It's just that those frequencies really bring out a lot of aggression in my approach.
Miles Davis would have this lineup of all these amazing musicians and one day would just say, 'We're done.' After tons of great records and tickets sold, he said, 'Now I'm going to grow my hair out and play my horn through a wah-wah pedal.' Rather than play it safe, he went on.
Sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive. And then there's music, and girls, and drugs, and homeless people who've read Pauline Kael, and wah-wah pedals, and English potato chip flavors, and I haven't even read Martin Chuzzlewit yet... There's plenty out there.
The real Da'wah to Islam is the character of a Muslim.
Well, it grow together. It's like, first time I try to write a song is the first time I try to play the guitar. And so I can write a song without the guitar. But it really grow together. I really like stay with my guitar. But it just happen, is the inspiration come through man. Because, I personally, it look like, could I write a whole heap a tune, it look like. But I pick special tune to write. Cause a man can think of plenty things. Yuh know wah ah mean.
Tell Yao Ming, 'Ching-chong-yang-wah-ah-soh.'
There's a viral video of a young girl learning to say 'who' but pronouncing it as 'wah' which I think could be one of the funniest things that has ever happened.
I'm not very good with some of the more modern songs that have an awful lot of 'doo wah wahs,' if you know what I mean, because I can't do anything with them.
I keep changing my stuff. I used to play through a Marshall JCM800, and then I also had a Randy Rhoads signature amp. So before I was playing EVH, I was playing an ODB pedal. I still have my Dunlop Jerry Cantrell wah pedal because I love that.
I love how the soccer guys just fall when they get kicked and go baby crying.They try to explain to the referee like he's their mother: "Wah! Did you see what he did?" Then they get back to playing soccer again.
I actually felt sorry for Liverpool bands like Bunnymen and Wah!, having this immense pressure of following the Beatles. I suppose I responded to that challenge by being nothing like them. I carved my own thing.
Much of my playing is rhythmic and choppy; I use a lot of double stops. The wah just accents all those stops and chops and brings out the rhythmic aspect that much more.
I believe I love my guitar more than the others love theirs. For John and Paul, songwriting is pretty important and guitar playing is a means to an end. While they're making up new tunes I can thoroughly enjoy myself just doodling around with a guitar for a whole evening. I'm fascinated by new sounds I can get from different instruments I try out. I'm not sure that makes me particularly musical. Just call me a guitar fanatic instead, and I'll be satisfied.
Well I was on the one hand, the more I played the guitar the more I began to really love the guitar and to love virtually any kind of music that anybody played well on guitar.
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