A Quote by Robin Trower
I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.
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What it really comes down to, especially in metal, is that the bass needs to cut through, so you go to the pick for that effect. But when you have a certain feel about the music and really dig in to get a big growl, you have to go with the fingers, because you're not going to get it with a pick.
I'm even afraid to lay down with you at night, because when you go to bed at night, mean woman, you got an ice pick in your hand.
I usually just pick a genre of movie that I feel like saluting and then go off and come up with something that I can sort of pay homage to. That's the great thing about our show is we've sort of created a landscape for 'Psych' where we're kind of allowed to go off and give shout-outs to movies that we love, genres that we love.
I have one room off my kitchen filled with nothing but cookbooks and recipes that are sent to me from around the world. Every two years, I have to go through them and pick out ones to send to the local schools. There's a need for books, especially cookbooks.
My favorite kind of music is the stuff that stops time. You put something on to sit there and let an experience go through you. To look at yourself clearly through a song. It's true of all art, all mediums, but for some reason music has a direct line straight into people.
What I think is cool about Fender, and what originally drew me to them, was the Fender electric guitar headstock, which I've never seen on another ukulele. I feel like a rock star when I'm tuning it.
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
There aren't a lot of entertainment-based mediums, the visual or recorded mediums, that empower the audience to go off the next day and create it themselves. You can't watch a movie or a show and the next day say, 'I want to make that.' You have to go to school.
The cool thing about writing is that there is really never a typical day. Sometimes I get a rhythm going and head off to work every morning and come home at night. Sometimes I'll write for two days straight and then be utterly blank for the next two.
I'm an artist first and foremost. So things are gonna go up and down and sideways and whichever way all through life.
Sometimes when I pick up a book off the shelf, when I'm buying a new book to read, I'll look at all of them and they all have the exact same words inside, but I'll think that one is meant to go home with me. I'll never pick the first thing off the shelf, I'll always go one behind.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
Nerves are always a big problem for me, which is why I loved doing American sitcoms. Because you know when you do the take in front of the audience that you're going to do it again afterwards. A minute after you finish, you just go and do it again. So, there's that sort of safety net. And then if you made a little mistake or two, they'll go pick it up, so there's nothing to worry about.
Occasionally, fans will ask me to go on their shoulders, and we'll do a sort of Hodor and Bran thing. That's always good fun. But one guy did it, and he really wasn't an expert at picking people up, and I was kind of going sideways on his back holding onto his neck, and then I sort of fell off. But that was fun.
Artistic mediums go through phases where progress happens really rapidly, and then other moments where it slows down.
Pass-rushers with boxing or kickboxing go hand-in-hand. You've got to have fast, sharp hands and be straight down the middle, because linemen are coming off and you have to be able to pop their hands down.
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