A Quote by Robin Tunney

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy — © Robin Tunney
Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy
Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.
Food is one part. Love is another part. I cut their hair, I give them a shave, I give them bath. For them, to feel psychologically that they are also human beings, there are people to care for them, they have a hand to hold, hope to live. So, the food will give them physical nutrition. The love and affection which you show, will give them mental nutrition.
I'd love to be in a 1910s film - the era between the corsets and losing the corsets.
To that class we may leave it to refine the vernacular dialects of the country, to enrich those dialects with terms of science borrowed from the Western nomenclature, and to render them by degrees fit vehicles for conveying knowledge to the great mass of the population.
I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
When I asked Robert Spitzer about the possibility that he'd inadvertently created a world in which ordinary behaviours were being labelled mental disorders, he fell silent. I waited for him to answer. But the silence lasted three minutes. Finally he said, 'I don't know.
With some actors, if I have upward of 10 notes, I don't want to give them all 10 notes and overwhelm them. I usually parse them out three or four at a time.
I think that what's important as a director is to give your actors the feeling that they're protected, the feeling of confidence, the feeling that if they make mistakes, then as a director, you'll know how to help them. If you're able to convey that, then the actors will give you wonderful performances. As well as the author, you have to write scenes that give the actors the opportunity to show what they're capable of.
I'm very loving and supporting of my actors. I also expect them to show up prepared, happy to be there, and give their all as I do as an actor.
Food is one part. Love is another part. So, the food will give them physical nutrition. The love and affection which you show, will give them mental nutrition.
I’d always heard that when you truly love someone, you’re happy for them as long they’re happy. But that’s a lie. That’s higher-road bullshit. If you love someone so much, why the hell would you be happy to see them with anyone else? I didn’t want the easy kind of love. I wanted the crazy love, the kind of love that created and destroyed all at the same time.
I would like to start a discussion about ending solitary confinement. I'd like to start a discussion about the removal of MO wings - an "MO" is a "Mental Observation" inmate - from Rikers Island, to be set up in mental health institutions. You can't put people in jail for having mental disorders.
I already love acting and I love actors, so being able to communicate with actors and to bring performances out of them, and to tell a story and aid them, is really exciting for me.
The problem for many people is that we cannot point to the underlying biological bases of most psychiatric disorders. In fact, we are nowhere near understanding them as well as we understand disorders of the liver or the heart.
Yes, I talk about eating disorders and you know, excessive dieting and excessive exercising can be a sign of a mental illness... but when we talk about eating disorders... the issue is not the food or the exercise, the issue is a lack of healthy conception of self. That is the issue.
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