A Quote by Robin Van Persie

I live on having a challenge when the line is really thin. I like it the most when you have no clue what is going to happen. — © Robin Van Persie
I live on having a challenge when the line is really thin. I like it the most when you have no clue what is going to happen.
I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.
You have this big challenge going on within the Democratic Party, and many of them coming into the Greens. So there is the potential for a really profound realignment here. And remember most of this is going on with most voters not having any idea who our campaign is.
I was very thin, exceedingly thin. If you look at 'North By Northwest,' you'll get a clue.
My most prized possession is my pillow. I can't travel or sleep without it. And it's, like, this really thin down pillow that really doesn't do anything, but it's weird: if I don't have it, I'm constantly thinking about not having it.
Like any art, what is the most imprisoning thing is also the most delivering thing. If an actor knows he only has 12 syllables in a line, the challenge is, 'How can I interpret the meaning and contain it without going one syllable over?'
But really, what else are you going to talk about in line at the liquor store? Childhood trauma seems like the natural choice, since it’s the reason why most of us are in line there to begin with.
There's just some dysfunctionalism with artists. There are good things and bad things about being an artist, and the good thing is, sometimes you get an inside line on what's really happening. You develop these strange antennae that clue you in to what's really going on.
I am quite a dreamer. I think we all are dreamers. We all don't like to live a practical life all the time. There is a thin line between our hopes and dreams.
There's this thin line between knowing something is going to be really hard and saying, 'Yeah, you know, but I still gotta see if I can pull it off.'
There is a microscopically thin line between being brilliantly creative and acting like the most gigantic idiot on earth.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.
I haven't a clue what's going to happen next, and I can't wait to find out.
All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
I'm surrounded by a lot of live-action movie professionals, and I'm just taking their lead, as far as what to schedule to do next. I'm guessing the challenge is going to be not having two characters together, and shooting the live-action without having the animation. In animation, you get to get in between every frame and you work it all out together.
You're completely putting yourself on the line when you're in drag. They're either going to love you or they're going to hate you, but the most important part is having fun.
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