A Quote by Robin Van Persie
When I look at a football pitch, I suppose, yes, I see it as my canvas. I see solutions, possibilities, the space to express myself. I am always looking for ways to be creative, to gain an edge.
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If other people think I'm okay looking, that's great, but I don't see it myself. When I look in the mirror, all I see is a bunch of fake teeth and football scars.
If other people think I’m okay looking, that’s great, but I don’t see it myself. When I look in the mirror all I see is a bunch of fake teeth and football scars.
The one great thing about football is that whatever happens it will manifest itself on the pitch. If it's right, you'll see it on the pitch, if it's wrong, it will be on the pitch. In business you can get fellas who are doing crooked deals and nobody knows anything about it. There is an ultimate honesty about football. Politics is part of the lying game, I wouldn't trust any of them. In football you can hide for a while, but ultimately the truth comes out. I always loved that.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
If you stand over on the edge of the west coast of Ireland and look west, you are looking at something you can't see, only imagine. You know America is there, and you can imagine it being there. But you're also looking into infinity, because you can see nothing.
We have self-assessment tools, computer-based tools to see how we are performing mentally in outer space and there's some also very interesting technology and work that's being funded by NRSBI to look at facial recognition to look at your patterns to see if you're experiencing stress or fatigue. It's a kind of thing that I think will gain acceptance with gradually. But it probably has more to immediate application in things like homeland security, and looking at facial recognition of people going through airports and things like that to see who's under stress.
I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?
I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.
Art deals with profound and simple moods. Let us suppose that the artist - in this instance (the artist) Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it. He will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.
Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.
I always get into arguments with people who want to retain the old values in painting - the humanistic values that they always find on the canvas. If you pin them down, they always end up asserting that there is something there besides the paint on the canvas. My painting is based on the fact that only what can be seen there is there... What you see is what you see.
I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
I think there was always some scrawny dreamer sitting at the edge of the firelight, who had the ability to imagine dangers, to look into the future in his imagination and see possibilities, and therefore survived to pass his genes on to the next generation.
When I look at things, I always see the space they occupy. I always want the space to reappear, to make a comeback, because it's lost space when there's something in it.
I try to live intentionally, and the things that move me, I'm going to throw myself at them. I want to see what my potential is. I'm always curious to see what the edge is.
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