A Quote by Robin Wasserman
'The Waking Dark' is about what happens when something awakens a town's darkest impulses and unleashes them on the world.
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The Waking Dark is about what happens when something awakens a towns darkest impulses and unleashes them on the world.
'Outsiders,' I guess, is sort of dark, but I don't really think of it as dark. The world up there on that mountain, it had the potential to have a lot of fun as well as a lot of drama, these guys raiding the town in their ATVs with their tattoos. It seemed like something different.
Sin is dark and loves the dark, still hides from itself in gloom, and in the darkest hell is still itself the darkest hell and the severest woe.
The secret of successfully giving yourself away lies not so much in calculated actions as in cultivating friendly, warm-hearted impulses. You have to train yourself to obey giving impulses on the instant -- before they get a chance to cool. When you give impulsively, something happens inside of you that makes you glow, sometimes for hours.
A great song awakens something in your body / mind / spirit or history that you had forgotten about. It ignites some emotional kindling that you didn't even know you had stored. It awakens you to a possibility for the future - be it hope or excitement - that you never knew was possible.
I saw my town as if I had just arrived. It was as if I was waking up. You see houses and buildings every day, and you walk by them on your way to something else, and you hardly see. You hardly notice they're even there, mostly because there's something else going on right in front of your face, But when the town itself becomes the thing that is going on right in front of your face, it all changes, and you're not just looking at a house, but at what's happened in that house before you were born.
The world is made up of the big things and the small ones. And the part that's so unfair is that we call them 'big' and 'small' because when something happens to you, when you loose something or someone that your really care about, that's all there is. The world may be blowing up around you, but you don't care about that. You don't care about that at all.
You actually do confront your dark side, your impulses, or your feelings of sibling rivalry in Cinderella or whatever. You admit that they exist and then you work through them and conquer them and come out living happily ever after having learned something. That's one reason why the fairy tales keep having traction and meaning.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.
What you describe is how it happens to everyone: magic does slide through you, and disappear, and come back later looking like something else. And I'm sorry to tell you this, but where your magic lives will always be a great dark space with scraps you fumble for. You must learn to sniff them out in the dark.
The future is unwritten. there are best case scenarios. There are worst-case scenarios. both of them are great fun to write about if you' re a science fiction novelist, but neither of them ever happens in the real world. What happens in the real world is always a sideways-case scenario. World-changing marvels to us, are only wallpaper to our children.
If I could, I'd go city by city, county by county, town by town, and talk to people to explain to them what immigration is really about - that this is not about me, this is not about us, this is not about us taking something from you. This is not about us being a threat to you. This is not about Democrat or Republican, and this is not really about border security. But in some ways our politics, and in many ways our politicians, have gotten in the way.
Passion is one great force that unleashes creativity, because if you're passionate about something, then you're more willing to take risks.
He did not know which was more painful, the waking or the sleeping. When he slept, he dreamed: dark disturbing dreams of blood and broken promises. When he woke, there was nothing to do but think, and his waking thoughts were worse than nightmares.
There is something about talking in the night, with the shreds of sleep around your ears, with the silences between one remark and another, the town dark and dreaming beyond your own walls. It draws the truth out of you, straight from its little dark pool down there, where usually you guard it so careful, and wave your hands over it and hum and haw to protect people's feelings, to protect your own . . . You can bring out the jaggedest feelings - if you are my wife and know how to state them calm - into the night quiet. They will float there for consideration, harming no one.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
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