A Quote by Robin Williams
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
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My preference is live performance, because you get the feedback. There's an energy. It's live theater. That's why I think actors like that.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
When I was a little girl, the only real form of entertainment I was exposed to was theater, being raised in St. Louis, and I still love theater, and I think sitcoms are similar to that, in there's a live audience, and you know, I definitely like the comedy of it, too. I like to make people laugh, and I definitely think laughter is healing.
The theater itself is so archaic and old fashioned, that it doesn't really matter to me whether it's on Avenue D or at the Helen Hayes Theater. What's the difference? It's still a very nostalgic form. Also, it means you're knowingly walking into a room where there's actors. I feel it's very embarrassing. Because, you know, they're right there. You always think like, they can see you, and I think it's mortifying, frankly, and I hate to sit near the front, where you feel they actually might see you. It's too ... it's too live.
If I told you how many times guys on set get spray muscles... men need to realize that they don't need to live up to what they think they need to live up to!
People predicted in the 1910s that live theater was going to be all gone and that we'd just be watching movies. No, live theater is still around, because it does things that are specific to it.
I know the 'big spending club v. smaller club' theme is popular in the Premier League. I don't think about it - we are 30 teams trying to win the championship, and you do what you need to do.
Good live theater disturbs molecules. You create an energy source around yourself and it alternates between you and the audience. Anybody who sees live theater should come out a little rearranged.
People never regret when they come out of a movie and they've been crying. I think people need it. That's why people have the theater and live music, which is dwindling as well. I think people like to go see things and have an emotional, transcendent, universal human experience, but so often we're like, "Let's go watch Green Lantern," which we all know is just not going to do anything for our souls.
Many people live habitually as if the present moment were an obstacle that they need to overcome in order to get to the next moment, and imagine living your whole live like that. Always, this moment is not quite good enough because you need to get to the next one.
I go to the theater because I need help dealing with my life; I want to see the greatest questions addressed. I need to see actors grappling with things that matter.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues; and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
Now, as far as monitoring is concerned, what my point is, we need to make sure that any place - I don't care whether it's a mosque, a school, a supermarket, a theater, you know it doesn't matter. If there are a lot of people getting there and engaging in radicalizing activities then we need to be suspicious of it.
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