A Quote by Robin Williams
Even when I did my Broadway show, I did 15 minutes no one had seen before, because that was the night that Michael Jackson protested about Al Sharpton bailing on him. I said, "Wow, if that man bails on you, this must be really a lost cause."
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My favorite actor was, is, Michael Keaton. Certainly growing up, in the movie 'Night Shift' he did something brand new that I hadn't seen before that we all steal from now. And then it was in 1987 he did the movie 'Clean and Sober' and 'Beetlejuice' in the same year, and that was when I said, 'Wow, that's what I want to do.'
Listen, Michael Jackson is really funny. To have time to spend with him and actually be around him, he's not what....people think he is. Michael Jackson's like a black belt too, so he will kick your ass if you say something about him." In disbelief the interviewer replied "No, really?" to which Will said, "Yes, Michael Jackson kicked over my head!
That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
The most iconic applause I've ever seen is from a Michael Jackson show in Japan - his entrance is actually 15 minutes long, and the crowd is clapping the whole time.
It's absolutely fun to walk around and have people respect you. When Michael Jackson did Thriller, I was in the park one day, and a girl came up to me and said, "Man, the only people they talk about around here are Michael Jackson and you." It was pretty flattering to be considered in the same light as the king of pop in my area.
I did do an off-Broadway show for about 15 months. '91 and '92. It was nice to have a steady paycheck for a while. It was Oliver Jackson and Earl May, Art Barron and myself were the house band. I was 24 and 25 at the time.
People wanted to move to America because of Michael Jackson. Industry changed, the music industry changed, because of Michael Jackson. That's a gift to us, and, you know, I am concerned that the Good Lord may not send another one because we did not take good care of him.
Oh, Michael Jackson is Michael Jackson. And no matter if he sold 40 million records off of one record and sold 15 off his last or whatever the counts may be, Michael Jackson will be Michael Jackson.
I don't stick up for Al Sharpton often because I consider him an agitator, but Sharpton's views on 'gangsta' rap have been consistent and clear.
On `Earth Song' I was the military guy that would come out of a tank that was used during the show. It was unbelievable; somehow I'd become a Michael Jackson fan that got to dance with Michael Jackson! I spent a lot of time wondering, "what the hell did I do right to deserve this?"
When you look at Michael Jackson, there's nobody who loves him in that family, nobody. If they did, they'd tell him he didn't have to do all that in order to be famous. All he has to do is keep doing his music and be himself. Michael's been a little touched for about 20 years, but somebody needs to pull him aside and tell him they love him.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.
Jesse Jackson and Al Sharpton cannot write a timeless letter to us from a Birmingham jail or walk, as John Lewis did in 1965, across the Edmund Pettus Bridge in Selma, Ala., into a maelstrom of police dogs and billy clubs.
I can tell you categorically that we at 60 Minutes did not pay Michael Jackson one cent.
He had to think he was Michael Wayland’s son, or the Lightwoods would not have protected him as they did. It was Michael they owed a debt to, not me. It was on Michael’s account that they loved him, not mine.” “Maybe they loved him on his own account,” said Clary.
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