A Quote by Robin Williams

It's frightening and exhilarating. It's like combat. Look at the metaphors: You kill when it works; you die when it doesn't. — © Robin Williams
It's frightening and exhilarating. It's like combat. Look at the metaphors: You kill when it works; you die when it doesn't.
2011 is one of those years that historians are likely to look back on as a 'hinge.' And the truth, at once frightening and exhilarating, is that we don't know yet which way the door will swing.
Fire walking is an act of faith. I don't know why it works. I don't know why people don't die doing it. I found it very exhilarating.
Look at almost any passage, and you'll find that a paragraph has five or six metaphors in it. It's not that the speaker is trying to be poetic, it's just that that's the way language works.
We kill the women. We kill the babies. We kill the blind. We kill the cripples. We kill them all.... When you get through killing them all, go to the goddamn graveyard and kill them a-goddamn-gain because they didn't die hard enough.
Metaphors are not user-friendly. They're difficult to find and difficult to use well. Unfortunately, metaphors are a mainstay of good lyric writing-indeed of most creative writing. ...metaphors support lyrics like bones.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.
If you die of pneumonia,I'm pretty sure there are at least a dozen guys who'll try to kill me and make it look like an accident (Hale)
Healing and miracles have been a mystery to men of all times. To some, the phenomenon is frightening, while others find it exhilarating.
The spiritual combat in which we kill our passions to put on the new man is the most difficult struggle of all. We must never weary of this combat, but fight the holy fight fervently and perseveringly.
Periods of change are full of paradoxes. They're difficult but exciting, frightening but freeing. Letting go of old patterns that no longer work for us is exhilarating.
It's funny how it usually works out that I end up dying. It sort of works out, because by the time I die, I'm usually tired of working on that particular movie, so I look forward to it.
Metaphors hide in plain sight, and their influence is largely unconscious. We should mind our metaphors, though, because metaphors make up our minds.
There is only one purpose in hand-to-hand combat, and that is to kill. Never face an enemy with the idea of knocking him out. The chances are extremely good that he will kill you.
The Vietnamese have a secret weapon. It's their willingness to die beyond our willingness to kill. In effect, they've been saying, You can kill us, but you'll have to kill a lot of us; you may have to kill all of us. And, thank heaven, we are not yet ready to do that.
There’s something very freeing about losing the anchors that have always defined you. Frightening, sad, but exhilarating in a poignant way, as well. You’re free to float to the moon and evaporate or sink to the bottom of the deepest ocean. But you’re free to explore. Some people confuse that with drifting, I suppose. I like to think of it as growing.
Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.
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