A Quote by Robin Williams

I write on big yellow legal pads - ideas in outline form when I'm doing stand-up and stuff. It's vivid that way. I can't type it into an iPad - I think that would put a filter into the process.
I write in the morning at a table, longhand on yellow legal pads, just like Nixon, when I’m doing fiction.
I write in longhand on yellow legal pads.
I outline and outline and outline, and then I'm very specific about the stuff I write. That's my process.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
For a perfect holiday I need my iPhone and my writing tools. I write all my books by hand so black felt pens and yellow legal pads are a must. And my eyebrow pencil. I'm very low-maintenance.
Don't get me wrong: I can and do waste time on the Internet with the best of them, but in some respects, I am an embarrassingly analog guy. I am not on Facebook. I write whole books on yellow legal pads. I do not own a cell phone.
I always write the same way. I always write with a yellow pad and a ballpoint pen on my bed. And then I go and type it up afterwards. I've always done that. Those things become habitual.
An outline is crucial. It saves so much time. When you write suspense, you have to know where you're going because you have to drop little hints along the way. With the outline, I always know where the story is going. So before I ever write, I prepare an outline of 40 or 50 pages.
There's a big thing right now with people using stand-up as a scapegoat. People think comedians have the power to change someone in an hour. If we had that ability, the art would not be legal. It would too dangerous.
I write with pen and paper, my first draft, on legal pads.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."
I think the legal profession is getting somewhat corrupted. When it comes to lawyers, I think it's kind of a Catch-22. On one hand, there's so much process, procedure and mess caused by the legal profession. But on the other hand, the only way to sort through all that process, procedure and mess is through the legal profession.
I am a big outliner. For my adult book, 'The Visibles,' I did not outline, and it took me two years to write because I just didn't outline, and I had no path.
Blogging has mostly been an opportunity to react more immediately to experiences to try out ideas that I may end up using in the print media or in some other place. When I write books, it's a way for me to bring readers into the experience of writing the book, all through the process of writing the books that I write. I talk about what I'm up to in the blog. I let people know what I am doing. To me, it's just part of putting my professional life up in a way that people who are interested in it can access; and learning things from them as well.
I've battled with that type of stuff, but what I've found is that by doing stand-up, I've actually learned about depression and how to combat it. I don't have clinical, but I've definitely had my bouts with it.
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