A Quote by Robin Wright

Hollywood is difficult to navigate if you have integrity, so I opted not to work if there wasn't enough to do in a role, which doesn't have to do with the role's size. — © Robin Wright
Hollywood is difficult to navigate if you have integrity, so I opted not to work if there wasn't enough to do in a role, which doesn't have to do with the role's size.
That the role of size has been to some degree neglected in biology may lie in its simplicity. Size may be a property that affects all of life, but it seems pallid compared to the matter which makes up life. Yet size is an aspect of the living that plays a remarkable, overreaching role that affects life's matter in all its aspects.
The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.
Being a young woman is difficult enough, but add to that the pressures of Hollywood's spotlight, and you have a lot to navigate.
I can't imagine that anyone in Hollywood is sitting around trying to decide what actor is good or right or qualified for a role and is being denied a role because of their political views. I don't think that's the way Hollywood works. We're not living in an era of blacklisting.
We always expect tremendous criticism. It is my role to be the lightning rod ... to attract the attacks against the organization for our work, and that is a difficult role. On the other hand, I get undue credit.
We always expect tremendous criticism. It is my role to be the lightning rod ... to attract the attacks against the organization for our work, and that is a difficult role. On the other hand," he said, "I get undue credit.
I didn't have a role model. My role model was Michael Jordan. Bad role model for an Indian dude... I didn't have anyone who looked like me. And by the time I was old enough to have what could have been a role model, they were my peers. Aziz Ansari is my peer. Kal Penn is my peer.
I think that every enduring story that has expressions over multiple periods, that role of being the keeper of the integrity of the vision is a very important role.
We can follow the example of those who remembered that the role of an activist is not to navigate systems of oppressive power with as much integrity as possible, but rather to confront and take down those systems.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
When it comes to the big issues like immigration, everyone has a role. The government has a role. The church has a role. Every Christian has a role.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
Music has a role, fashion has a role, cinema has a role, intellectuals have a role, parliamentarians, politicians, diplomats - all of it.
I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
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