A Quote by Robin Zander

I remember Robert Plant coming backstage after the first show saying, 'Hey, boys, I should be opening for you.' That felt pretty good. — © Robin Zander
I remember Robert Plant coming backstage after the first show saying, 'Hey, boys, I should be opening for you.' That felt pretty good.
It's like, backstage at 'SNL,' like, if you come back after a show or something, or a lot of times even at the after-parties, we're just pretty tired and like, 'Hey, what's up.' Just getting a drink and kind of chilling out. Nothing crazy.
I first heard about 'Stranger Things' from people dressed as the characters coming up to me at conventions saying, 'Hey, you have to see this show. It's 'Goonies.'
I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.
I will always remember the first show I did clean and sober... It was in New Mexico, in Albuquerque. I literally felt elevated, as everything was coming with such clarity.
There's something about being a part of Broadway and going backstage. You know, like when I go to see a show now and going backstage and saying "Hi" to the cast. It's so thrilling. It's so beyond my wildest dreams from when I was a kid.
I do remember at my very first opening in 1979 another artist coming up to me, and he was haranguing me, saying, "Did you really intend for these things to be so dumb? You just put it there and took a picture of it." He wouldn't let it go. So that's what made me think about the dumbness aspect more.
For the first five years of my life, things felt pretty good. A lot went wrong after that, family-wise.
Somebody asked me the other day, 'What do you love the most about the show?' I said, 'The conversations that I have with my father in my head while I'm playing.' If I do something pretty good... I mean, I'm playing the gig and I'm saying in my head, 'Hey, check that one out, dad.'
I remember, after the New Year's Eve 1991 show, somebody running onto the bus and saying Nirvana had just hit No. 1. I remember thinking, 'Wow; it's on now.' It changed something. We had something to prove - that our band was as good as I thought it was.
I remember coming to New York in 1974 to do a play here called 'Equis.' And I remember the first morning getting up and walking around the streets, and I thought, 'I'm home.' I felt really at peace here.
I remember coming to New York, in 1974 to do a play here called Equis. And I remember the first morning getting up and walking around the streets and I thought, "I'm home." I felt really at peace here.
My dad was pretty old school. I've had a job since I can remember, and it's not like he was like, 'Hey, what kind of car do you want?' My first car was a '91 Ford Crown Victoria that was $1,000. And I had to buy every car after that. I had to do it all.
It was nerve-wracking [to unleash 'Life of Pi' to the world]. The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated.
I felt it absolutely essential that we plant the U.N. flag in Rwanda and plant it in a place of significance to show all the political entities, all the signees of the agreement and the Rwandans... that the international community were here and we're here to stay and we're going to be doing our job.
I felt pretty good growing up. I didn't feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole Charlie Chan-Fu Manchu thing.
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