A Quote by Robinson Cano
I don't want to be like those guys that, two or three years into their contract, they do really good, and then they don't care.
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I have two years left on my contract with Hertha Berlin, but I'd like to play in England and if I'm offered a good contract from an English club then I'd want to go there.
You know, when you look at it, a lot of the time you have guys that have one or two good years - you know, really, really special years - but then they don't do anything after that. But, like, to be at the top of the game year in and year out consistently has really always been the goal.
Two or three years ago, every game I want to score. And after I score a goal I have a spark and I'm so happy I want more. Now I'mkind of different. I'm not saying I lost my spark - I still have it - but I don't chase the goal as much as I used to. I'm playing for the team andI still know I can score, but it's different than two or three years back.Look at great teams like Detroit a couple of years ago; they winthe Stanley Cup and guys only score 25 goals, nobody has a really big season. You have to play defense, that's how you win.
In theater they want to put you on a contract a year in advance and I don't really like that. That's the reason why I became an actor - I like the freelance work. It's interesting, I like not being told what to do still, and I have a job where people tell me exactly what to do, so maybe I don't know myself as well as I want to. I think my last play I did was three years ago.
From the public's perspective, they like to see guys that go out there and stand. Now, if you happen to be one of those two athletes that are standing out there and trading with each other, afterwards you would disagree with those people. The spectators are not on the receiving end of all those strikes. I have young guys who say, "I like to stand and trade." I say, "Really? Then you are not a very intelligent fighter."
I wasn't really geeky. In terms of the high school hierarchy, I was very much in the middle ground. You have the really popular guys, you have the nerdy guys, and then you have the people who really don't care - and that was me. I wasn't really picked on or anything like that.
I have two or three guys that I'm really close to. We have a great friendship, and I think that helps our songwriting relationship. It's hard to start... with new people and cover the ground that I've covered with those guys.
Guys like Rey Mysterio Jr., Eddie Guerrero, Dean Malenko, guys like that, they've inspired me. They made me want to do this. Those guys were three of the top cruiserweights that you can name.
I actually prefer teammates that have emotions. It means you care, compared to a guy that's kind of just nonchalant and goes about it like it doesn't matter. So I want guys that care. I want guys that show they care.
A good director is like a good coach. You want to play for him. You want to really show him your good stuff. You don't want to let that person down. Ridley Scott is one of those guys.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
John Hawkes is amazing. I really want to meet that man; he's so good. Him and Ben Foster, and I'm a big fan of Nick Stahl - those are my three guys.
Some women give birth and then two weeks later look amazing. I don't think I'm going to be one of those women, and I'm OK with that. I just want to be a good mom; I don't really care about having a hot bod.
I've been gone on the road for the past three years; maybe I've been home for two or three weeks in a year. I literally live - it's like one of those old movies where they show a train, and pages of a calendar are peeling away like leaves, and then there's a picture of me with gray hair.
Life is short. I'm years old. I've got years to go where I can be the best I can be. I want those years to be precious, not like before, cranking two or three movies a year. I've made a ton of movies in my life, but so what?
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