A Quote by Robson Green

I don't come from a theatrical background, but my mum and dad had fantastic taste in cinema and TV and I loved watching what they watched. — © Robson Green
I don't come from a theatrical background, but my mum and dad had fantastic taste in cinema and TV and I loved watching what they watched.
I remember my dad watched a lot of TV that we watched, too. I remember watching Saved By The Bell because me and my sister watched it, and my dad kind of watched it with us, too, while he was cooking or whatever he was doing in the kitchen.
After my grandmother finished watching 'Lawrence Welk,' my dad would race to the TV and put on the weekly hockey game. He loved watching Henri Richard, Gordie Howe and Terry Sawchuk. My dad's seven brothers and sisters weren't particularly thrilled with his viewing choices.
My dad Alan loved Westerns and we watched them together when there wasn't much else on TV. I had toy cowboys I'd call Richard Widmark or Gregory Peck and we'd restage the Battle of the Alamo.
Watching TV mum said," Do you miss your dad?" And I said," Who?
My mum and my dad have really good taste in movies. My gran would tape them off the TV and write notes about them, rating them.
Just watching people who come from a stand-up background is different from watching people who come from an improv or sketch background.
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
I used to tell my mum to leave my dad when I was, like, nine. I loved my father, don't get me wrong. I really loved him, but he wasn't a good dad, and he wasn't a good husband.
The revolution of video had a massive affect. We grew up in a time where suddenly you could own films. Before, they had a theatrical run, and then perhaps they'd come back, or you'd catch them in a retro cinema.
I've always loved watching the news on TV. As a kid, I loved watching Walter Cronkite, for some reason.
The problem for me is that I just don't often come across material that speaks to me and my TV education. Before we all had DirectTV and Netflix and Amazon, there's literally 15 years where I saw nothing. Now, I get the pleasure of binge-watching, so now I feel like I'm much more in a TV state of mind, because I binge-watched so many incredible TV shows that now I'm actually a little bit more excited about working in the space.
My great grandfather had been the neighbourhood 'horse whisperer,' so I've probably loved horses since I was an embryo. Whenever I watched cowboy films as a small child, I wasn't watching the hunky cowboys - which I'd probably do now - I was watching the horses. Even now, I love sitting in the field just watching the way they move.
When you screen a film like 'The Missing Picture,' it is not like watching TV. Watching TV is very solitary. When you watch cinema, you watch it together, and you talk about it after the screening.
I've always been quite insecure. I had followed Mum and Dad into TV and yet in my heart of hearts I knew it wasn't for me.
When I sit back and reflect, it's humbling to see how far I've come. I watched the IPL as a kid six-seven years ago in the Caribbean, watching all these superstars playing. Now to be in this environment is fantastic.
Given this voice, I know it does sound like I've come from money. But my dad was Canadian and my mum Hungarian, so it's not like I have some high-society, upper-class English background.
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