A Quote by Robson Green

When I look at a script, I basically ask myself, 'Do I believe the relationships? Are they people like you and me?' I have to be able to see myself in it. — © Robson Green
When I look at a script, I basically ask myself, 'Do I believe the relationships? Are they people like you and me?' I have to be able to see myself in it.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
There were periods of my life when a lot of people didn't believe in me. I still had faith in myself. I really had to ask myself life questions. Where do I see myself in five years? Create a ladder for yourself, and walk up the steps. Climb that ladder.
Once I came out in sports, I basically told myself, 'I'm coming out, officially. I wanted to be able to look in the mirror and tell myself that I was being true to me. I wanted to help the younger me, when I was a kid, give them somebody for them to look up to.
Personally when I listen to a script, I think from the audience's point of view. I would ask myself whether they would like to see me in this role?
I don't see myself being special; I just see myself having more responsibilities than the next man. People look to me to do things for them, to have answers.
People might ask me, What do you propose instead? I propose nothing. I am a mere novelist, I just write about the world as I see it. It is not my job to transform it. I cannot transform it all by myself, and I wouldn't even know how to. I limit myself to saying what I believe the world to be.
I start to see that I surround myself with broken people; more broken than me. Ah, yes, let me count your cracks. Let's see, one hundred, two... yes, you'll do nicely. A cracked companion makes me look more whole, gives me something outside myself to care for. When I'm with whole, healed people I feel my own cracks, the shatters, the insanities of dislocation in myself.
The biggest mistake people make about me is that they see me as some sort of god-like figure with a big ego. If I see a button, a T-shirt, that says, 'Yngwie is God,' I just look at it as a complimentary way of people telling me they like me. Although it's very flattering, it doesn't change the way I look at myself.
I consider myself a songwriter before anything else. The fact that I have been able to write both of my records and establishing myself as a songwriter is super-important to me. Some people have that gift, where they can take on anything and make people believe it. I like to do a song from personal experience.
When I like myself, which is not too often, but when I do like myself on film, it's when I point, and I go, 'Look what she did! She did the funniest thing - look at her!' Where I can really separate back from it and I don't see me anymore, then I'm really excited. That's, like, really fun for me. That jazzes me.
I think I've become more understanding of people around me compared to before. I try to understand other people's tendencies and relationships. I've been able to laugh off a lot of things between myself and others, but it's still difficult trying to look at things from their perspectives.
I learned a long time ago the wisest thing I can do is be on my own side, be an advocate for myself and others like me, if I do that well enough, then I'll be able to look after someone else -- the children or the husband or the elderly. But I have to look after myself first. I know that some people think that's being selfish, I think that's being self-full.
I have art. I have music. I have the history, this legacy behind me that I can look up to. This is what I believe in. If you want to call it God or spirituality, that's all up to you. Basically I believe in something that's bigger than myself, and that gives my life meaning.
Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
One day when I was able to get up, I decided to look at myself in the mirror on the opposite wall. I had not seen myself since the ghetto. From the depths of the mirror, a corpse was contemplating me. The look in his eyes as he gazed at me has never left me.
I feel like, in the Czars, for example, I was afraid. I couldn't express myself. I didn't have a connection to myself. That's one of the huge reasons why it was such a difficult existence. I put a lot of that on myself. I couldn't access myself. I couldn't look at myself, because I was too ashamed.
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