A Quote by Robyn

The music industry used to be able to control a single dance on the very smallest level of when people are supposed to hear it, and when they're supposed to start liking it, and when they're supposed to start buying it. And that's trashed, you know, that big machine that takes control and works albums for a long period.
You weren't supposed to hear Elvis Presley. You weren't supposed to hear Jerry Lee Lewis. You weren't supposed to hear Robert Johnson. You weren't supposed to hear Hank Williams. And they told the story of the secret America.
I went from following people to being on my own. Once I was on my own, I watched people start liking me, and I watched people stop liking me. Everything was supposed happen. It was all supposed to reveal itself.
Entertainment was transportation. You were supposed to take somebody out of their seat and bring them back in. You’re not supposed to impose your values or your supposed knowledge to manipulate or control people. That was not your job. You were not supposed to use the bully pulpit of Hollywood to pound people with ideas. You’re there to entertain.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
I explain to athletes, you're supposed to be a well-oiled machine. You're supposed to be in better shape than the people watching you. You're supposed to be an unbelievable specimen of a human being. You have to treat your body different while you're performing.
I'm not supposed to be playing, the music is supposed to be playing me. I'm just supposed to be standing there with the horn, moving my fingers. The music is supposed to be coming through me; that's when it's really happening.
Some music is supposed to be disposable; that's OK. A lot of music is fun for today, but it isn't supposed to be timeless; it's supposed to be trendy.
I started reading all these men's magazines, trying to follow all the tips: what you're supposed to wear, what you're supposed to have, things you're supposed to say, and all the exercises you're supposed to do.
You know, my life's changed now. I'm starting to experience what people are really supposed to do. You supposed to be married. You're supposed to have a family, kids, treat your wife right.
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
My character isn't supposed to be flashy and be over-the-top. I'm supposed to be dirty in the ring. I'm supposed to kick and punch, and I'm supposed to cheat and find ways to win at all costs.
It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.
If success is really dependent on someone liking you or not liking you, and you have to teeter on that kind of tightrope of how you're supposed to act and how you're supposed to look and who you are, it's just not a healthy way to live.
I felt that I really couldn't be creative with opera. You're supposed to sound this way here. You're supposed to crescendo here. You're supposed to do that. I had no sense of identity while singing that kind of music.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
I’ve broken a cardinal rule of art, music, and career paths: actors are supposed to act, and musicians are supposed to music. That’s how it works. You don’t buy fish from a dentist, or ask a plumber for financial advice, so why listen to an actor’s music?
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