A Quote by Robyn Davidson
By now I was utterly deprogrammed. I walked along naked usually, clothes being not only putrid but unnecessary. My skin had been baked a deep terra-cotta brown and was the constituency of harness leather. The sun no longer penetrated it. I retained my hat.
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It's great to be back on terra cotta
They walked back into the world together, wearing the gift that had been given them: just life. Pity was not love, Barbie reflected...but if you were a child, giving clothes to someone who was naked had to be a step in the right direction.
There definitely have been a few roles that involved showing some skin but I'm not afraid of showing some skin from time to time. I mean the truth is, when I come home I take all my clothes off anyway so I'm kind of used to being naked.
Painting it was hard graft... in addition red, yellow, brown ochre, black, terra sienna, bistre, and the result is a red-brown that varies from bistre to deep wine-red and to pale, blond reddish.
As far back as I can remember, I have worshipped the sun. My skin is fair, but as the years have gone by, it has toughened and darkened. I now turn a rich golden brown every summer, but only after the first day of burning.
I try and stay out of the sun for the most part. I wear a hat. I play golf. And I wear a hat. But I've had no problem - no major problem - but certainly no problem with skin.
I had all the characteristics of a human being—flesh, blood, skin, hair—but my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
I never had a hat, never wore one, but recently was given a brown suede duck-hunting hat. The moment I put it on I realized I was starved for a hat. I kept it warm by putting it on my head. I made plans to wear it especially when I was going to do any thinking. Somewhere in Virginia, I lost my hat.
I have been painting models with black and brown skin only for the past years. So, I did already have this experience, this is how I have come to the paintings I do now.
I can't have brown hair for some reason. I don't think it goes with my skin tone. The second I see it turn brown in the sun, I dye it black - the blacker the better.
One can translate an editorial but not a poem. For one can go across the border naked but not without one's skin; for, unlike clothes, one cannot get a new skin.
I always have a lot of vents and slits in the clothes I design, even inside the pockets so that I can slip my hands inside my clothes and touch my skin. I want to be able to feel my body naked inside my clothes.
I love paperwhites - they smell heavenly and you can often pick them up from a big home improvement store garden center already planted in pretty terra cotta pots.
Why should anyone think a white skin superior in evaluating the qualities of human life? I did not really admire a white skin so much myself. Did I not prefer the brown skin that came with exposure to the sun?
As government regulations grow slowly, we become used to the harness. Habit is a powerful force, and we no longer feel as intensely as we once would have [the] constriction of our liberties that would have been utterly intolerable a mere half century ago.
The sun feels so lovely on your skin, but it can be really damaging. I make sure to wear SPF 50 sun cream all over my body at all times. It takes a bit longer to get tanned, but the color stays way longer afterwards.
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