A Quote by Robyn Davidson

London sort of wore me down. I can't cope with the winters! — © Robyn Davidson
London sort of wore me down. I can't cope with the winters!
When I would knock about the town in London, I was doing it with my head down, walking very quickly and it had become the norm for me because I'm recognized there. And people are not unkind but occasionally there's a sort of British who do you think you are sort of, I don't really think I'm anybody. I just go about my normal day. But sometimes you're faced with that.
I think my mum was really very ahead of her time. She wore very little makeup. She really explored the way that she wore clothes in a very honest way. She wore a lot of vintage stuff and mixed it with bespoke men's tailoring and things like that. That was a huge influence on me, seeing a woman in the spotlight carry herself in that kind of way. But mostly, for me, it was just that she was an incredibly honest and sort of natural person.
Over-the-knee socks remind me of the 1920s, silent films, and the stars of the era who wore the rolled-down stockings. They sort of referenced that in 'Cabaret,' when Liza Minnelli was singing 'Mein Herr,' and I love the way she looks in that scene.
In London I have been by turns poor and rich, hopeful and despondent, successful and down and out, utterly miserable and ecstatically, dizzily happy. I belong to London as each of us can belong to only one place on this earth. And, in the same way, London belongs to me.
I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way. If you've ever made up something on the spot and made somebody laugh, you can credit Jonathan Winters with inspiration.
When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
When there are things that don't go according to plan, London will cope.
Streetwear for me is what I was raised wearing in London, and my style influences growing up were always people who wore streetwear.
You try to be faithful And sometimes you're cruel. You are mine. Then, you leave. Without you, I can't cope. And when you take the lead, I become your footstep. Your absence leaves a void. Without you, I can't cope. You have disturbed my sleep, You have wrecked my image. You have set me apart. Without you, I can't cope.
Old customs are easy to forget with the flashing of events in our lives. Easy to forget, like the heavy clothing we once wore to survive the winters. It is an old custom, the handing down of things. A good knife, a well-made pipe, a heavy robe. Tradition falls prey to constant change, and creativity becomes so revered that the past is a relic, only to be admired. But in this coat, I was held to the earth, pulled to the past by its weight.
Brussels is sort of a mini London in the sense that if you think about putting a football pitch in London, people laugh at you. There is just no space.
I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way.
Ugly Betty' has definitely helped me cope with issues I would have never been able to cope with if I wasn't a part of a show that has such unique characters.
She's still doing it, pushing me into situations I can't handle, making me cope. She knows I can't cope.
You can always cope with the present moment, but you cannot cope with something that is only a mind projection - you cannot cope with the future.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
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