A Quote by Robyn Davidson

I just don't see myself as a travel writer. I can't. I don't. — © Robyn Davidson
I just don't see myself as a travel writer. I can't. I don't.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
I'm trying to travel more. Like, intentionally travel. I really want to go and implicate myself in a city and meet people and see how they live and get outside of my world a bit.
I don't think of myself as a producer. In television, it's part of the business - if you progress and become successful as a writer, you're called a writer-producer. What that means is that you have a lot of say in casting and behind-the-scenes stuff. But I'm just a writer.
I don't think of myself as a metafictional writer at all. I think of myself as a classic writer, a realist writer, who tends to have flights of fancy at times, but nevertheless, my feet are mostly on the ground.
I know when I go and see a writer, the first thing I think to myself is, 'Are they the character in the book?' You just can't help it; it's the way people are.
I see myself much more as a writer/director or at least an aspiring writer/director - not necessarily in film.
Finney is about the best writer of time travel stories ever, and I adore time travel stories - have to make a time travel game someday!
I just feel like it's easier to co-write sometimes, especially if you have chemistry with somebody. It kind of takes all the pressure off of you. But, you know, I started writing songs by myself. I didn't really have a co-writer, besides my dad. When I see a record and it has a song on it that someone wrote [alone], I just really believe in them as a writer. I feel like it's a window into them, more than it is if you write a song with someone else.
Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.
When I was a teenager, I went on an organised three-day tour of Rome. It was the worst experience ever. I promised myself that I would never travel like that again, with someone telling you what to see and what not to see.
I see myself in public service in Zimbabwe. I would prefer an advisory role - cabinet secretary, minister of trade or the arts, or something like that. I don't want to be just a writer.
People say you have to travel to see the world. Sometimes I think that if you just stay in one place and keep your eyes open, you're going to see just about all that you can handle.
I don't see myself as angry, although other people see that. I just see myself as a short, dumpy guy with bad feet, and I'm passionate.
The attributes you need to be a travel writer are somewhat contradictory. For travel you need to be tough and resilient and to write you must be sensitive and sympathetic.
I always want to challenge myself as a writer. I consider myself more of a writer than I do a director.
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