A Quote by Robyn Davidson
If you think of all the enduring stories in the world, they're of journeys. Whether it's 'Don Quixote' or 'Ulysses,' there's always this sense of a quest - of a person going away to be tested, and coming back.
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For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
Longing becomes more poignant if in the distance you can't tell whether your friend is going away or coming back. The pushing away pulls you in.
My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.
We [Cleveland Browns] are from the same segments of America that everyone else is from. We have the same diversity, the same mix, so we don't run away from issues amongst each other, because we're brothers and we have to build that bond because we're always on the quest to be world champions. That's always our quest, and if you don't have that bond, it's not going to happen. So I guess every locker room is different, but our locker room I think is more than fine.
We all travel the milky way together, trees and men; but it never occurred to me until this storm-day, while swinging in the wind, that trees are travelers in the ordinary sense. They make many journeys, not extensive ones, it is true; but our own little journeys, away and back again, are only little more than tree-wavings - many of them not so much.
Literary modernism kind of grew out of a sense that, “Oh my god! I’m telling a story! Oh, that can’t be the case, because I’m a clever person. I’m a literary person! What am I going to do to distinguish myself? I know! I’ll write Ulysses.”
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
I would argue that the truth of Easter does not depend on whether there was an empty tomb, or whether anything happened to the body of Jesus. ... I do not see the Christian tradition as exclusively true, or the Bible as the unique and infallible revelation of God. ... It makes no historical sense to say, 'Jesus was killed for the sins of the world.' ... I am one of those Christians who does not believe in the virgin birth, nor in the star of Bethlehem, nor in the journeys of the wisemen, nor in the shepherds coming to the manger, as facts of history.
There's so much anxiety coming from social media with teenagers that we have to give them characters that are real and that are not always happy; and that have bad parents and not great, supportive parents; and that are not going on these journeys to save the world with a bow.
When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.
Stories matter. Stories are how we make sense of the world, which doesn't mean that those stories can't be stupid and simplistic and full of lies. Stories can exaggerate and offend and they always, always matter.
I think all human beings can surprise themselves when they are in situations where they are tested. That's when you see your true character coming out, and I was definitely tested.
It's just good that Detroit is coming back. I'm so happy it's coming back because it needs to come back. When I do my trips around the world, and I can be anywhere, but I always see somebody from Detroit or Chicago. Those guys are world travelers.
The future of narrative? Built in, part of the human template. Not going away. The future of the codex book, with pages and so forth? A platform for transmitting narratives. There are others. The scroll is coming back (Twitter is a scroll.) Short forms are returning online. Interactivity is coming back; it was always there in oral storytelling. Each form has its pluses and its minuses.
A depressed person is often a person who will push others away. If you are pushed away and pushed away and pushed away, you have to have an enormous amount of inner resources to keep going back.
I think every once in a while country has lost its way, but found its way back. It's always going to drift away from the traditional side, but then find a way to return. There's room for all kinds of influences be it pop, blues, gospel or whatever. But I will always say that I think we need more traditional country music coming down the pike.
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